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Is Swamps of Sadness Land Just a Neverending Line?

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Have you ever dreamed of mounting a Luck Dragon and sailing off into the sky, raining hot justice down upon any bully you saw? Did you ever want to stand in front of The Rock Biter and whisper, “They look like such big, strong, hands” to yourself, and then weep openly in front of strangers? Did you ever want to stand before a pair of half-naked Sphinxes, screaming “BE CONFIDENT” in your mind as you imagine their eyes juuuust starting to open?

Boy do we have the theme park for you.

Bavaria Films is a Universal-esque theme park with a German twist, said twist being that you can relive all the horror you experienced the first time you watched The Neverending Story, and oh yeah! There’s a Das Boot exhibit. Fun for the whole family.

You can totally see up Morla’s nose! Ew.

Morla, The Ancient One

They look like such big… strong…oh, there we go again. BRB, crying forever.

The Rockbiter

Her eyes are opening aren’t they? Aw, they’re totally opening! We’re so screwed…

Sphinx

But where is the Mirror that shows you that even though you thought you were kind, you are actually cruel? Are there stuffed Gmorks for children to wrassle? Costumed Atreyus, Engywooks and Urgls roaming around to amuse die kindern? Bags of candy rocks available for purchase?

Seriously though, we would scream our fool heads off if we got to pet Falkor. That would be amazing. Bavaria Films is in Munich, Germany, so be sure to visit next time you’re there!

[Via Dangerous Minds!]


Grimoire Noir, and Five Stories With Magical Books

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We’re excited to share some images from Grimoire Noir, a graphic novel from author Vera Greentea and artist Yana Bogatch, coming in 2018 from First Second!

Bucky Orson is a bit angsty, but who isn’t at fifteen? His best friend left him to hang out with way cooler friends, his cop dad is always in his business, and in a world where boys are forbidden to read—and only girls, with their inherent magical powers, get access to books—he feels left behind. When his little sister goes missing, Bucky has to get out of his own head and investigate the small town that gave him so much grief, only to discover a conspiracy that will change his mind and the lives of the inhabitants forever.

Check out the first three pages of Grimoire Noir below. Plus, author Vera Greentea lists five other tales with magical books at their centers—join in the comments to add your own!

 *   *   *

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 *   *   *

As a bookworm kid with a fairly normal life of school, lessons, and chores, I frequently dreamt of finding the book that would blast my social studies textbooks to Bulgaria and outfit me with a wand instead. While prowling libraries and bookstores searching for my personal guidebook into a world of enchantment, I also jealously followed the accounts of those lucky kids who did find their way into pages of adventure. Here are some favorites that fueled my optimism:

 

The Neverending Story by Michael Ende

Having an imagination may not help you make friends at school or pass gym class, but it can transport you into a crumbling magical country that needs your help – if you so like. All you have to do is open this captivating classic and notice when the Childlike Empress calls out your name, follow her instructions and hope to all things holy that you are able to saddle up a magical dragon without falling off.

 

The Unwritten by Mike Carey, art by Peter Gross

Surprisingly, not all kids dream of being sword-wielding heroes of a magical series—but sometimes they don’t have a choice. If you grew up to become a jaded adult, making your D-list appearances at literary conventions because your father wrote 13 best-selling books using your likeness as the hero, maybe that’s not completely your fault. The Unwritten is an excellent fantasy comic series about someone who had written off his own life in favor of his likeness’ literary legacy, only to find that taking control of his real life can be a much better adventure.

 

The Spiderwick Chronicles by Holly Black and Tony DiTerlizzi

Being a kid guided by the whims of adults can be rather unpleasant, especially if what the adults want to do is get stupid divorces and move to rotting old houses. Even for the cleverest of kids, getting a degree of control over your own life can be difficult—unless you happen to find a field guide to the magical fairy world. Suddenly, your life becomes all about having your hair tied to bedposts or getting kidnapped—wait, did I say fairies would give you more control over your life?

 

Blackwood’s Guide to Dangerous Fairies by Christopher Golden and Guillermo del Toro

Perhaps instead of hoping to find a magical guide by chance, it might be more prudent to write your own. Fewer quests are more ambitious than spending your whole life searching for the Hidden People and writing down your scholarly thoughts in a moleskin diary. However, be ever vigilant, for if your findings prove perilous, no one will come to your aid when they believe you’re a mad person with an overcooked imagination.

 

Jonathan Strange and Mr. Norrell by Susanna Clarke

Of course, what is better than a single book of spells, but a fully stocked library of magical literature? If you are lucky enough to find your way to the glorious shelves of one Mr. Norrell, you can drop the mic on theoretical magic. Once you have centuries of studies and the stuffy demeanor of an elderly troll, you too can change the course of pivotal events in history. And at that point, no one will ever make you clean your room again. Fulfilling endgame, yes or yes?

 

bucko-windowsill-with-logo

All art by Yana Bogatch

Vera Greentea grew up in the libraries of Brooklyn, NY and New Jersey. Her comic work includes the spooky miniseries Nenetl of the Forgotten Spirits, a collection of dark fantasy stories in Papa, and her ongoing Victorian-punk series Recipes for the Dead. She lives in New Jersey with her husband and a klutzy cat who definitely needs some customized headgear.

Revealing the Covers for Tor.com’s August Releases!

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We’re wrapping up our week of cover reveals with August, which includes a fantasy quest (complete with giant spider) from Adrian Tchaikovsky and a dystopian vision of the future from New Statesman contributing editor Laurie Penny. Thank you to the B&N Sci-Fi & Fantasy Blog and SF Signal for taking part in our week of cover reveals by showing off the first looks at our June and July covers!

Check out the cover art for August below!

All of these titles will be available worldwide in ebook, audiobook, and trade paperback.

 

Spiderlight

Written by Adrian Tchaikovsky
Illustrated by Tyler Jacobson
Designed by Christine Foltzer
Available August 2nd
Pre-order Now: iBooks | Kindle | Nook

spiderlight_final

From the catalog copy:

The Church of Armes of the Light has battled the forces of Darkness for as long as anyone can remember. The great prophecy has foretold that a band of misfits, led by a high priestess will defeat the Dark Lord Darvezian, armed with their wits, the blessing of the Light and an artifact stolen from the merciless Spider Queen.

Their journey will be long, hard and fraught with danger. Allies will become enemies; enemies will become allies. And the Dark Lord will be waiting, always waiting…

 

Everything Belongs to the Future

Written by Laurie Penny
Designed by FORT
Cover photo © GettyImages
Available August 9th
Pre-order Now: iBooks | Kindle | Nook

Everything-Belongs FINAL

From the catalog copy:

Time is a weapon wielded by the rich, who have excess of it, against the rest, who must trade every breath of it against the promise of another day’s food and shelter. What kind of world have we made, where human beings can live centuries if only they can afford the fix? What kind of creatures have we become? The same as we always were, but keener.

In the ancient heart of Oxford University, the ultra-rich celebrate their vastly extended lifespans. But a few surprises are in store for them. From Nina and Alex, Margo and Fidget, scruffy anarchists sharing living space with an ever-shifting cast of crusty punks and lost kids. And also from the scientist who invented the longevity treatment in the first place.

 

Audio editions of both Spiderlight and Everything Belongs to the Future will be available the same day as their ebook and paperback editions. Find these and all of Tor.com’s audio titles at Macmillan Audio!

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Rocket Talk Episode 72: Robert Jackson Bennett

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Welcome back to the Rocket Talk podcast!

This week, Robert Jackson Bennett invites Justin to his favorite restaurant. They share a sumptuous meal together, with wine and fine conversation. Their waiter, Giuseppe, comes by the table from time to time. The conversation itself covers Robert’s intentions with his new novel, City of Blades, his use of third person present, and Donald Trump.

Note: This episode is totally weird. The music is from Bensound, available here.

Robert Jackson Bennett is the author of American Elsewhere, The Troupe, The Company Man, and Mr. Shivers. His books have been awarded the Edgar Award, the Shirley Jackson, and the Philip K. Dick Citation of Excellence. His latest series, starting with City of Stairs and continuing with City of Blades, is an atmospheric and intrigue-filled with dead gods, buried histories, and a one-armed lady generals.

 

Rocket Talk Episode 72 (33:10)

Listen through your browser here:

On a mobile device or want to save the podcast for later?

Listen to Episode 72: Robert Jackson Bennett

Get Rocket Talk on iTunes

Get the Rocket Talk feed

Also! If you have an idea for an episode of Rocket Talk or would like to come on as a guest, reach out to Justin Landon at justin.landon@gmail.com. Obviously, we can’t accommodate everyone, but we’re always looking for new ideas and fresh perspectives. You can find all of the episodes of Rocket Talk on Tor.com here.

My Friend’s Stupid Idea Just Became Star Wars Canon and I Am So Jealous

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This morning started out so well. USA Today posted an excerpt and the cover from Star Wars: Bloodline, the next Star Wars book and one which focuses exclusively on pre-Force Awakens Leia, and I was all YAS YAS REPUBLIC CREDITS ARE IN FACT GOOD HERE.

Then I got to this paragraph:

Something was written on the paper streamer on her plate. Actual writing. Virtually nobody wrote any longer; it had been years since Leia had seen actual words handwritten in ink on anything but historical documents.

So… has anyone but me heard of this jerk-o by the name of Ryan Britt? I got trapped in an office with him for like 18 years and I don’t remember all of it but for some reason here he is in my apartment holding my legit VHS copy of the movie Contact.

oh god why

Not pictured: Carl.

He also wrote for Tor.com like a lot in that span of time and one of the things he postulated was that everyone in the Star Wars universe is functionally illiterate. Then he doubled down on that idea a couple months ago and expanded on it in his book Luke Skywalker Can’t Read, taking into account the various backgrounds of the main characters in the Star Wars movies.

Here’s what Ryan “The Human Blazer Coat” Britt says about Leia [emphasis mine]:

Humans and aliens populating their universe used the written word for the purposes of getting their basic culture off the ground–for commerce only–and as soon as holograms were available, switched over. If we use the basic reductive interpretation of Marshall McLuhan’s axiom “the medium is the message,” then the medium of Jedi holocrons sends a message that recorded verbal information is preferable to the craft of writing. Still, let’s just assume Jedi can probably read and are taught to read, as are rich people like Princess Leia, Padmé Amidala, and Jimmy Smits. But everything, everything, everything in Star Wars is about video chat via holograms or verbal communication through comlinks. Of course, for these cultures to have progressed and become space-faring entities, they needed written language at some point. But when we catch up to the “now” of Star Wars, the necessity to actually learn to read and write has all but faded away.

Take look at that paragraph from Claudia Gray’s Bloodline again. You know, that new Star Wars book that is considered canon.

Something was written on the paper streamer on her plate. Actual writing. Virtually nobody wrote any longer; it had been years since Leia had seen actual words handwritten in ink on anything but historical documents.

I’m going to murder Ryan Britt.

Chris Lough writes about fantasy and superheroes and stuff on Tor.com. He doesn’t have those glasses or that beard or that shirt or even that hair anymore.

All Shined Up: A Criminal Magic by Lee Kelly

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It’s 1926 and magic in the United States has been prohibited through the 18th Amendment. For the last six years magic has gone underground. Shine, a concoction of liquid magic brewed by magicians, has the nation worked up into a froth of paranoia and addiction. Mobsters run back alley speakeasies and and petty criminals push backwoods moonshine while the federal agents in the Prohibition Unit struggles to hold back the surging tide of murdered junkies and drug runners.

Alex Danfrey joins the Unit to bury his past and pay for his own misdeeds after his father went to jail for peddling shine and covered for Alex, the real magician. His boss knows his secrets, however, and backs him into a corner, forcing him to go undercover in the Shaw Gang. If he can score enough intel to bust the whole family the Unit will clear his name…but if the Shaws catch him out they’ll kill him. In rural Virginia, Joan Kendrick struggles to keep her family afloat while her uncle drowns himself in his own shine after witnessing the brutal death of Joan’s mother. A mysterious criminal named Gunn makes her an offer she can’t refuse and deposits her in a magic joint in Washington D.C. She and her six magical compatriots will have to pull off the impossible if they want to survive.

Joan carries the secrets of blood magic much as Alex holds his own abilities close to his chest, but circumstances beyond their control will expose them whether they want it or not. As their fates intertwine ever closer, Joan and Alex are pushed into choices they aren’t prepared to make. The magic they both love might be the one thing to tear them apart, and if they’re not careful, destroy everyone they care about.

A Criminal Magic has been described as fantasy, urban fantasy, and alt history, but the only one that really sticks is the first. Washington D.C. as a city doesn’t play nearly enough of a role in the story to qualify for urban fantasy. For urban fantasy, the metropolis setting should be as instrumental to the tone and story as the characters, but here I kept forgetting the story was set in D.C. instead of a generic version of New York City.

As for alt history, there simply isn’t enough larger world building. History is a continuous series of overlapping ripples caused by many different kinds of disruptive events of varying breadth and impact. Adding or removing an impact effects all the other ripples in myriad ways, many not obvious but some most certainly crucial. Kelly crafts A Criminal Magic with Prohibition functioning less like a particular moment in American history and more like an interesting circumstance to play with out of context. It’s a simple swap of liquor for spells with no social momentum leading up to it or the cultural chaos that ensued.

Prohibition not only had a massive effect on the world after its passage but was intimately entangled with a host of socio-cultural debates in the era leading up to its passage as the 18th Amendment in 1919. The political mobilization of women had a lot to do with prohibition getting passed, as banning alcohol was sometimes framed as a moral imperative to protect women and children from abusive men. It was an early women’s liberation tool, a way for women to protect themselves through political force, and they used that force to extract their right to vote. It was also fueled by America’s rampant xenophobia and isolationism. This tied back into the morality component through the involvement of the longstanding Protestant temperance movement, which was also vehemently anti-Catholic and anti-immigrant—hence the KKK tarring and feathering bootleggers. Not to mention how speakeasies made jazz popular with white audiences and all the glitz we now associate with the Age of Wonderful Nonsense.

And absolutely none of that is touched on in A Criminal Magic. Even something as simple as era-appropriate slang would’ve helped a great deal in grounding the story to the period. These nitpicks don’t automatically downgrade the quality, mind. But maybe overlook the marketing buzzwords on this and don’t count on hitting specific subgenre markers.

Frankly, the book could use a little more world building as a whole. The magic system left me as confused as the characters were, and a better sense of society outside the handful of locations and varying degrees of gangsters would have added some depth to the background. While no one is expressly described by their race, it was clear the leads were white. Furthermore, since readers tend to default colorblind character descriptions to white, the lack of overt diversity was glaring. Until the 1950s D.C.’s population was anywhere from a quarter to a third Black. Having a couple of minor characters with no real impact on the main arc and who appear in only a few pages be the only minorities in the entire book strains plausibility on all fronts (and of course they practice the stereotypical, Hollywood version of Voodoo).

But enough with the downer stuff. As straight up fantasy, A Criminal Magic is a solid, well-written tale. Joan and Alex have fresh, personal perspectives of the excesses of the Jazz Age, viewpoints Kelly portrays by jumping between their first person narratives. Their romance, while obvious from the get-go, was endearingly sweet. Where some writers might pull their punches to keep their leads likable, Kelly lets Alex and Joan make difficult, unpopular, and selfish choices that fit their personalities. If nothing else, they never become ciphers or plot devices. My biggest gripe here was that their romance felt slightly too rushed. Instead of being allowed to grow naturally it came off as too Romeo and Juliet. Their emotions felt genuine to their personalities, however, even if the pacing didn’t give the reader a chance to settle into the budding relationship.

Although the story takes a bit to get started, the premise has enough of a hook to get the reader invested early on. Easily the best part of the whole book are Kelly’s descriptions of magic. Her magic is evocative, like living in a painting. It’s understandable why mundanes would want to drown themselves in sorcerer’s shine. Who could reject something that vivid and gorgeous? But it’s the ending that is going to have everyone talking. The final plot twist is a punch in the gut. It comes on hard and fast, an adrenaline-fueled rampage of bitter revenge and bloody schemes. There are enough threads seemingly left intentionally loose to allow for a sequel, though as far as I know this is a standalone novel. If Kelly ever decides to revisit, I’ll be waiting.

A Criminal Magic is available now from Saga Press.

Alex Brown is an archivist, research librarian, writer, geeknerdloserweirdo, and all-around pop culture obsessive who watches entirely too much TV. Keep up with her every move on Twitter and Instagram, or get lost in the rabbit warren of ships and fandoms on her Tumblr.

Words of Radiance Reread: Chapter 69

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Welcome back to the Words of Radiance Reread on Tor.com! Last week, a tentative expedition to observe a chasmfiend chrysalis and gather information ended in an unexpected Parshendi sighting and a collapsing bridge. This week, Kaladin and Shallan find themselves the only two who somehow survived the fall, with one day to make their way back through the chasms to the warcamp before the next highstorm hits. No pressure, though.

This reread will contain spoilers for The Way of Kings, Words of Radiance, and any other Cosmere book that becomes relevant to the discussion. The index for this reread can be found here, and more Stormlight Archive goodies are indexed here.

Click on through to join the discussion!

 

WoR Arch69

Chapter 69: Nothing

Point of View: Kaladin, Shallan
Setting: the chasms
Symbology: Pattern, Jezrien, Shalash

IN WHICH Kaladin falls; Syl screams; Kaladin gets a rush of Stormlight and hits the bottom; he wakes, hurting but alive; Shallan Davar appears around a corner, and they scare the daylights out of one another; she explains the bridge’s emergency latch; they search the bodies nearby, but no one else survived the 200-foot fall; Kaladin mendaciously credits windspren for protecting the two of them, though privately he wonders how he saved her as well as himself; they confirm that neither Dalinar nor Adolin are among the corpses; however, there are dead spearmen and Parshendi, verifying that there was a skirmish of some sort; they determine that a highstorm is due the following night, and that they should try to get back to the warcamps through the chasms; Shallan reflects on the fall, and Pattern’s speculation that the Stormlight had somehow kept her alive; she assumes that somehow she’d inadvertently saved Kaladin, too, and is grateful that he’s superstitious enough to believe the folktales about the windspren; as they trek through the chasm, Shallan can’t keep from noticing the beauty of the plant life here in the chasm; Kaladin is less than chivalrous, but finally takes Shallan’s pack of waterskins while she carries her satchel; Shallan tries to be pleasant—if snarky—and Kaladin snarls back; they snap back and forth and toss accusations at each other, getting louder and louder until they hear a noise that puts a stop to it: the sound of an approaching chasmfiend; they run.

 

Quote of the Week

“Storms,” she said, hurrying to catch up. “That was supposed to be lighthearted. What would it take to make you relax, bridgeboy?”

“I guess I’m just a… what was it again? A ‘hateful man’?”

“I haven’t seen any proof to the contrary.”

“That’s because you don’t care to look, lighteyes. Everyone beneath you is just a plaything.”

“What?” she said, taking it like a slap to the face. “Where would you get that idea?”

“It’s obvious.”

“To whom? To you only? When have you seen me treat someone of a lesser station like a plaything? Give me one example.”

“When I was imprisoned,” he said immediately, “for doing what any lighteyes would have been applauded for doing.”

“And that was my fault?” she demanded.

“It’s the fault of your entire class. Each time one of us is defrauded, enslaved, beaten, or broken, the blame rests upon all of you who support it. Even indirectly.”

“Oh please,” she said. “The world isn’t fair? What a huge revelation! Some people in power abuse those they have power over? Amazing! When did this start happening?”

I really do like Kaladin. Honest, I do. But this particular attitude annoys me no end and makes me want to pound on his head. Honestly, how can his imprisonment possibly be construed as an example of her treating people of lesser station as playthings? Later in the conversation he brings up the boots, which she acknowledges as a fair point, but her point is much stronger: he’s looking for excuses to do what he wants to do and blame someone else for “making him” that way. Which is the whole root of what’s going on with him right now.

 

Commentary

This really launches the worst stretch of Kaladin’s arc, in my mind. He no longer has access to Stormlight, or to his constant companion, confidant, adviser, and sense of humor. Arguably, with the loss of Syl’s company, his sense of perspective—already skewed by imprisonment—suffers almost irreparable damage.

If you were following the discussion this past week, a very cogent statement was made regarding the Windrunner bond. To boil it way down, the synergy between the behavior and the relationship is one of constructive interference—but it goes both ways. The desired behavior reinforces the budding relationship, and the strengthening relationship reinforces the desired behavior, and it’s just not possible to have one without the other. But “constructive interference” can be a two-edged sword—when the results are undesirable, it’s also known as a vicious cycle.

Allow me to tell a story, completely unrelated to epic fantasy. Many years ago, I was working on an aerospace project, and we got word that the test flight was returning in… interesting condition. When the aircraft came in for its landing, the guys in the control tower burst out laughing and asked the flight crew incredulously what on earth they’d done with their tail. The flight crew was baffled—they hadn’t known anything was wrong, though the rudder had seemed a bit sluggish on the way in. Turned out that in the testing, the last event in the kick test had set up a harmonic oscillation in the rudder that essentially tore the tail off. (Let me tell you, it’s a weird feeling to look at a 707 whose tail fin appears to have been ripped away like a piece of paper. From then on, the call sign for the aircraft series was “Gecko”—because how many airplanes can still fly with 1/3 of a tail?) But the point is, this test has been done with dozens and dozens of aircraft; this one was structured a little differently, and when the rudder was kicked under certain conditions, instead of coming back to a center balance, each flip of the rudder created further momentum, until it was flipping back and forth so hard the metal couldn’t take the strain, and it tore apart.

I’m sure you can see the analogy. When things were going well, every honorable thing Kaladin did reinforced his bond with Syl, and as she got stronger, his powers and his ability to do honorable things increased. But when things went badly, each vengeful impulse tore at the bond, weakening it; the less she could influence him, the more his instincts turned from honor to vengeance. Finally, it’s torn, and there’s no more Stormlight. No more tiny piece of a god to tweak his nose when his thoughts turn sour. No more Windrunning, no more incredible healing, no more Kaladin Stormblessed.

 

Stormwatch

This is, of course, the same day as the previous chapter. The countdown is at ten.

 

Sprenspotting

I have to start this with a series of quotations:

Syl screamed, a terrified, painful sound that vibrated Kaladin’s very bones. In that moment, he got a breath of Stormlight, life itself.

—-

WHAT HAVE YOU DONE? The distant voice sounded like rumbling thunder.

—-

I got some Stormlight right at the end, he thought. I survived. But that scream! It haunted him, echoing in his mind. It had sounded too much like the scream he’d heard when touching the duelist’s Shardblade in the arena.

The following is speculation, of course, but I have suspected that what happened here was Sylphrena voluntarily spending her last remaining Physical connection to grant Kaladin the Stormlight he would need to survive and heal from the fall. Without sufficient autonomy to determine for herself what “honor” looks like, she had yet enough autonomy to make the choice to sacrifice herself to save his life. I think that the rumbling-thunder-voice is the Stormfather speaking to Syl in the Cognitive realm, because he doesn’t think the outcome was worth the price.

However… I feel like I’m missing something; I can’t quite put my finger on some elusive piece. Why did her choice have a result so similar to the Recreance? Or am I wrong? Did Kaladin manage to pull the Stormlight through her, against her will, and destroy her Physical presence in the process?

Gah. I’m missing something; I think there’s something about this event that should give us a clue as to what really happened at the Recreance. What we’ve actually been told so far came from either handed-down tradition (in-world “Words of Radiance”), or the external observation of a soldier (Dalinar’s vision). I think there’s a hint in here of the spren’s perspective on what the Recreance was about, and I can’t tease it out.

*sigh*

Help a girl out here, folks. Pummel this around and see if you can get hold of a thread to pull.

And having now mixed my metaphors into a muddy brown paste, let’s move on, shall we?

 

All Creatures Shelled and Feathered

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Trust Shallan to get distracted by the local flora at a time like this! To be fair, though, this would be a unique experience for her. Kaladin has been in the chasms many times before, and besides, he’s not that interested in plants unless he can use them (see: knobweed). Given Shallan’s interests, of course she’s going to be fascinated: while some of these plants are varieties of plants she’s known elsewhere, some may be unique to the chasms. It’s a good thing she has her Memories, because there’s really not a lot of time for study just now.

 

Ars Arcanum

It’s notable that Pattern could only speculate as to how the Stormlight was able to preserve Shallan despite a fall of 200+ feet. As she says, it proved how little she—or he—knew about her abilities. It doesn’t help matters to have a false data point, either; she’s trying to not only account for saving herself, but for somehow saving Kaladin as well.

It does make me wonder, though. What are the mechanics of an event like this? Did she fall and then heal? Or did the Stormlight somehow protect her from injury in the first place? The same questions should probably apply to Kaladin, but I can at least think that Windrunner reflexes would let him use Stormlight to slow the fall, and then heal himself from whatever other injuries were sustained. But what does a Lightweaver have in that regard? She’s got Illumination and Transformation; how do those help? Or… is it like the explanation in the (officially not-yet-canonical) Jasnah excerpt, where someone holding enough Stormlight will just immediately and automatically heal from any injury short of a crushing blow to the head?

 

Heraldic Symbolism

The Heralds for this chapter are, appropriately enough, those associated with the respective Orders of our two would-be (or wouldn’t-be) Radiants: Jezrien for the Windrunner and Shalash for the Lightweaver. Suitable, since it’s only their bonds that allowed them to survive. They’re also singularly apt in the roles these two take, however faulty their execution: Kaladin takes the lead (though he doesn’t do much protecting), while Shallan is both bluntly honest and determinedly artistic despite the desperate situation.

 

Shipping Wars

And thus begins the series of events leading to the Kaladin/Shallan ship—a ship which I most fervently disavow. While the trope of “they fight and fight and all of a sudden they’re in love” is a staple of romance novels, and is not infrequently seen in fantasy, it’s hard to write believably, IMO. This is one (of many) reasons that I really hope Sanderson doesn’t decide to bring Kaladin and Shallan together; all wishful fanfic aside included, it would be bloody awful trying to make these two complement one other while maintaining both continuity and any semblance of credibility.

 

There. That ought to keep us busy until next week, when these crazy kids have a narrow escape from a nightmare.

Alice Arneson is a long-time Tor.com commenter and Sanderson beta-reader. Believe it or not, she used to be an engineer, which is how she realized that she loved writing. Go figure.

Brandon Sanderson’s The Bands of Mourning Debuts on the New York Times Bestseller List!

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The Bands of Mourning

Wax and Wayne are really growing on readers! The third book in Brandon Sanderson’s second Mistborn trilogy, The Bands of Mourning, has officially debuted at #6 on the New York Times Fiction Hardcover Bestseller List!

To put that into some perspective: the preceding Mistborn novel Shadows of Self debuted at #8, and it is rare for a book’s sequel to debut even higher. From chatter both here on Tor.com and in the reading public at large, it seems as if Bands has been very happily received for not only continuing the adventures of Wax and Wayne, but for throwing back the curtain on another portion of the overall Cosmere that Sanderson’s books preside within. (And, naturally, revealing the existence of yet another new Mistborn book!)

Readers and fans can congratulate Brandon himself today (Thursday) at 4 PM EST on Twitter, as Audible is hosting a live chat with the author. Just use the #SandersonChat hashtag to join.

The Bands of Mourning has also debuted at #3 on the NYT Ebook Bestsellers List, as well as the combined NYT Print & Ebook Bestsellers List. Congrats Brandon and Team Sanderson!

 


This is not Hamlet: Disney’s The Lion King

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The Walt Disney Company wants you to believe that The Lion King belongs in this Read-Watch. Never mind that the film is usually classified as a Disney original. In the corporate version of events, The Lion King was inspired not, say, by a desire on the part of Disney executives to capitalize on the company’s success with films featuring cute singing animals, but entirely by the desire to bring Hamlet to its natural environment out on the savannah with noble lions and evil hyenas, creating a sort of Bambi meets Hamlet.

With a happier ending.

Far be it from me to contradict one of the world’s largest and most successful media conglomerates, but let’s do a quick comparison, shall we?

In both:

  • Evil uncles focused on murder and usurping the throne.
  • Ghostly fathers apparently trying to get their kids killed.
  • Characters deeply frustrated that the protagonist refuses to get any sense of responsibility already, like, Hamlet, stop talking and ACT ALREADY, and Simba, stop eating bugs and ACT ALREADY.

Only in Hamlet:

  • A seriously not at all platonic relationship between Hamlet’s uncle and his mother.
  • A prince more than willing to wait to be king.
  • Lengthy conversations with skulls.
  • Invading Danes.
  • A mild obsession with whether or not nunneries are an appropriate career option for women who just want their boyfriends to talk to them already, damn it.
  • Dead bodies everywhere.

Only in The Lion King:

  • Platonic and only marginally polite relationship between Simba’s uncle and his mother.
  • A prince announcing that he just can’t WAIT to be king.
  • A mandrill skilled at Kung Fu.
  • Several cheerful songs easily able to be integrated into a wildly successful Broadway show.
  • Stampeding wildebeests.
  • A credible attempt to convince small children that bugs can be a nutritious and tasty food source.
  • A happy ending for everyone who isn’t already dead or a hyena.

The Bambi comparison is perhaps a bit more apt: both Bambi and The Lion King, after all, are fundamentally about little animals who must grow up and take adult responsibilities, fighting members of their own species (and fires!) while doing so. Though the differences between Bambi and The Lion King are also profound: Bambi’s villain, humanity, is always shadowed, off in the distance, never quite seen; The Lion King’s villain, Scar, triumphantly sings in front of the screen in scenes that evoke certain moments of Nazi propaganda—something Bambi has a more ambiguous response to.

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And The Lion King believes, unquestionably, that everything in the Pride Lands has gone wrong because an illegitimate ruler is on the throne; Bambi believes that everything in the forest has gone wrong because humans are around. Also, because bad things happen. It’s safe to say that both Hamlet and Bambi were at best distant inspirations.

A more direct inspiration may have been Kimba the White Lion, a Japanese anime from 1965. Some critics, indeed, have refused to use the word “inspiration” and instead chosen the words “outright plagiarism,” an accusation that gained traction after stories began to spread that Matthew Broderick, who voiced the adult Simba, was under the impression that he was voicing a U.S. version of Kimba the White Lion, or outright dubbing the original Kimba the White Lion, instead of voicing an entirely new character for an entirely new film. It is worth noting, perhaps, that Texuka Productions, owners of the rights to Kimba the White Lion, declined to sue Disney over this. Disney has firmly denied all accusations of plagiarism.

For the record, I haven’t seen Kimba the White Lion in English or Japanese, so I have no opinion on this. But, let’s assume for a moment that Disney was lying through their teeth here, and The Lion King is a remake of Kimba the White Lion, and not “Lions try to do Shakespeare, with a Nazi scene and some hula dancing.” That still makes The Lion King an adaptation of a film, not a literary source.

And yet I’m tossing the film into this Read-Watch anyway, partly because of requests in the comments, and because, whatever its inspiration, The Lion King proved to be a landmark film for Disney, arguably one of the most influential—and certainly the most popular—in decades.

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Like many of the early Disney films, the idea for The Lion King came from the very top—in this case, a conversation between Disney executives Roy E. Disney, Jeffrey Katzenberg and Peter Schneider back in 1988. At the time, they were launching Oliver and Company, a film about cute singing animals, and thought that just possibly, another film about cute singing animals—set, perhaps, in Africa, a continent Disney had not yet bothered to animate or pay any attention to, might be a good idea. (Katzenberg had a decided weakness for cute singing animals.) If anyone thought that just perhaps having Disney’s very first animated film set in Africa be about animals, instead of people, was not necessarily the best idea, that thought has not been recorded. Especially since this particular idea ended up making Disney a lot of money.

Getting to that money, however, turned out to have a number of obstacles. Disney’s top directors and animators were, at that point, focused entirely on little mermaids, and were soon to be equally obsessed with beasts and singing furniture. No one could quite grasp what the story was about, in part because Katzenberg kept offering suggestions. The script went through multiple revisions before Kirk Wise and Gary Trousdale, exhausted from working on Beauty and the Beast, were able to take a look at the film and start supervising storyboard and script changes. Even after they came on board, the story and script continued to undergo almost endless last minute tinkering.

To add to the issues, Disney executives once again insisted that at least part of the film be animated in the Florida studio, beneath the waiting eyes of tourists—although at least in this case they did not insist that animators on two different coastlines attempt to animate two characters in the same scene. Instead, the Florida animators ended up doing some of the scenes with little Simba and Nala, including the “I Just Can’t Wait To Be King” sequence, which perhaps explains why that song looks so incredibly different than pretty much anything else in the film: it was designed and animated by different people.

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The inconvenience didn’t upset everyone in the animation department—after all, someone threw in something increasingly popular from the theme parks—not one, but two hidden Mickeys. Watch very closely during “Hakuna Matata” and when Mufasa is droning on about YAY KINGS IN THE STARS. And I’m just going to skip over the implications of having Mickey up there right along with the other starry kings. But it still added a technical difficulty to the process.

But the fundamental problem was more basic than script issues, communication and design, and coastal differences: None of the animators really wanted to work on this film.

As animators have since admitted, the big film for Disney at the time was Pocahontas, which went into production at about the same time. Pocahontas was Disney’s serious, big prestige film, the one every animator wanted to be working on. The Lion King, even with Jeffrey Katzenberg taking an interest and continually making (often unwanted) suggestions, was clearly just another silly animal film.

Fortunately, Andreas Deja, who had just animated villains Gaston and Jafar, agreed to work on Scar. Other animators were mollified by the idea of working with animals, especially after—in a continuation of Disney history—the studio brought in live lions for the animators to look at, and sent other artists to Africa for design and concept ideas. Plus, the entire animation department was growing increasingly excited about what could be achieved with the still new CAPS (Computer Animated Production System) and suggested that maybe the new animal film could make use of that. Gradually, some enthusiasm for the little lions began to build.

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The musicians, on the other hand, turned out to be more enthusiastic, with lyricist Tim Rice, still doing final tweaks on Aladdin, even helping to recruit Sir Elton John. As it turned out, the singer didn’t need all that much persuading—he loved Disney films. The collaboration was a definite success: three of the five songs they wrote for the original film would go on to be nominated for Academy Awards, and one, “Can You Feel the Love Tonight,” would win. The experience wasn’t entirely positive: Rice had to convince the producers that “Can You Feel the Love Tonight” would not exactly work as a love ballad if comedy character Timon sang all of it, and legend claims that the song didn’t even appear in an early screening of the film. (Some Disney sources dispute this account.)

For the rest of the soundtrack, Disney hired composer Hans Zimmer, who in turn brought in South African composer Lebo M to help establish an African feel to the film. The two started off by working on “Circle of Life,” a song Elton John reportedly tossed off in just a few hours. Originally, it was intended to be a nice, typical Disney opening number—bracketed by amusing dialogue, introducing us to various characters—in short, more or less what the film did get with “Hakuna Matata.” Zimmer and Lebo M, listening to the tune, and reading the original lyrics, had a thought: why not open the song with Zulu vocals, and maybe extend it a little? They presented their revised version to the filmmakers with some trepidation, expecting—understandably—that the song would get severely cut.

Instead, it led to one of the most famous sequences in Disney animation history.

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Enthralled by the new version, animators tossed out the dialogue that was originally supposed to bracket “Circle of Life,” instead producing something entirely new: a showcase of the very best in Disney animation, featuring a shimmering waterfall, a sequence of flying flamingos in proper perspective, shadowy elephants and gazelles moving through fog (featuring, unusually enough, multiple moving characters), and soaring camera movements created by CAPS. Also a rather cute little baby lion. It was arguably Disney’s greatest piece of animation since Fantasia, and rarely outdone since.

Animators, indeed, got so invested in the sequence that, despite the issues they were having animating the tiger over on Aladdin, they decided to just go for it and add zebras. Stripes are notoriously difficult and expensive to animate by hand (see, also, why the Winnie the Pooh shorts initially left Tigger out and later limited his screentime, and why The Little Mermaid’s Flounder is a one color fish), and animators here not only had multiple zebras trotting, but also has the zebras trotting through dust beneath a separately animated bug, and later splashing through water, and then, kneeling.

Some critics (this blogger included) have, admittedly, questioned whether or not herds of animals would, in fact, walk or run through a sunrise filled with fog just to see a small cub dangled over a big rock—a small cub that, moreover, would soon grow up to eat them. Even if the animals looked great doing so. Other critics objected to the sequence’s not particularly subtle pro monarchy message—although I would argue that this message is less pro monarchy and more Disney’s attempt to create a fairy tale rather than animate one.

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By this, I mean that the scene—little Simba presented to his subjects—is straight out of myth and folklore and fairy tale, which often contain scenes presenting the newly born protagonist to magical creatures. That folklore connection becomes even stronger in a later scene, when, after the false king Scar takes over as king, the lands around him become barren and dead. Even the rain stops falling. This is not natural, and although the hyenas get blamed for this, they can’t exactly be blamed for the lack of water. That has happened because the true king isn’t present.

None of this is particularly democratic, granted, and the YAY KING message at the end of the film pretty much slams shut any happy thoughts brought on by the hyenas’ earlier calls for “NO KING NO KING.” The Lion King also never stops to consider that just maybe the whole inheritance thing is what’s causing the problem in the first place—after all, Scar only gets to claim the throne because he’s the brother of the previous king. Eliminate the heredity, and you have a chance for a new lion king who (a) won’t manipulate poor, starving hyenas for his own evil ends and (b) won’t just roll around eating bugs and (c) is inspired not by a hallucination of talking stars, but a desire to lead.

But The Lion King isn’t a takedown or aristocracy, much less fascism, even if one sequence featuring Scar borrows Nazi imagery. It’s a fairy tale that wants the prince to have a triumphant return.

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Fairy tales also probably helped inspire the film’s second astonishing animated sequence: the horrifying moment when Scar and the hyenas incite a herd of wildebeests to stampede, nearly killing little Simba, and killing Mufasa, who showed up to save him. Even Scar, for a moment, looks horrified as he watches the stampede—although this horror soon turns to triumph when, instead of saving Mufasa, he allows his brother to tumble down into the wildebeests. It echoes many fairy tales of princes cast out of their lands by relatives and monsters.

Frankly, those two sequences—the opening and the wildebeest stampede—are so powerful that the rest of the animation can seem pale in comparison, but there’s still some lovely stuff here. It’s also a nice change to have a romance between two Disney characters who were friends before feeling the love tonight. We’ll just try to overlook the fact that since Simba and Nala live in the same pack, a pack that only seems to have two adult male lions around, both brothers, they are almost certainly at least cousins, and possibly half siblings… I said we would try to overlook this. And as someone who has perhaps been to Walt Disney World a few too many times, I must admit to laughing out loud at a certain musical joke involving a certain infamous attraction that can be found at Walt Disney World and Disneyland.

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I am, certainly, left with some quibbles. How exactly did this ritual of allowing a mandrill to dangle a small baby lion off the edge of a cliff develop? And speaking of this mandrill, when, exactly, did he learn martial arts, and who, exactly, taught him? Are the animals in “I Just Can’t Wait To Be King” singing along in the hopes that if they do, they won’t get eaten, or because they, too, kinda side with Scar on the “Get Rid of Mufasa” thing and figure that a cute little lion cub has got to be better than a king who forces them to bow down to the lion cub that’s going to eat them? What is the anteater doing in that scene? How, in the barren land that Scar created out of Pride Rock, did Timon find enough grass to make a grass skirt and do the hulu? Or does Timon just carry long blades of grass around for just that sort of emergency? Can a little lion like Simba really grow to full size on a diet of bugs? What’s with this desert that appears between the Pride Lands and where Timon and Puumba live? Why does not one lion ask Scar for proof that little Simba is dead?

And bigger questions: Why, exactly, in a film about taking personal responsibility seriously, is one of its most memorable songs—Hakuna Matata—all about avoiding that responsibility? It’s the African savannah—where are the leopards and cheetahs? (Actually, I do know the answer to that one—”cut from the script.”) And finally, how did Scar get all of the minor volcanic eruptions to explode on cue like that during his song, not to mention getting a pillar of stone to lift him to the sky at the appropriate moment?

Not to mention, with power like that, why is he bothering with just Pride Rock? Aim higher, Scar! Aim higher!

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It’s safe to say that audiences completely ignored these quibbles. The Lion King smashed Disney and other box office records, bringing in an initial $768.6 million in its initial worldwide release. Later releases in IMAX and 3D, in 2002 and 2011 respectively, while screaming “marketing gimmick,” brought the overall box office totals close to $1 billion, leaving The Lion King as number 25 in terms of all time highest grossing films before any adjustments for inflation. As of this writing, only three animated films, Toy Story 3, Frozen and Minions, have been more successful. All of those, of course, were computer animated, leaving The Lion King as the top grossing hand animated film of all time.

(Though it’s perhaps only fair to note, that, adjusted for inflation, Snow White and the Seven Dwarfs beats all four, though it’s also only fair to note Snow White has benefited from multiple releases.)

The Lion King proved a marketing blockbuster in other ways as well, spawning toys, and attractions at all Disney theme parks, as well as two sequels: Simba’s Pride, which, as Disney direct-to-video sequels go, could be worse, and Lion King 1 ½, which is. Financially, however, The Lion King’s most important legacy for Disney turned out to be, not toys or subsequent releases, but the Broadway stage production of The Lion King, which eventually becoming the highest grossing Broadway show in history.

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The film had one other, subtle, influence. Although all four films had received similar marketing budgets and critical praise, Aladdin and The Lion King had made far more money than The Little Mermaid and Beauty and the Beast. Disney executives believed they knew why: small boys were not interested in seeing films about girls, though boys—human or lion—were box office draws.

As a result, until the launch of the Disney Princess franchise, Disney Animation chose to focus on films featuring boy protagonists, with the notable exceptions of Pocahontas (then receiving its finishing touches), Mulan (which went into formal development before The Lion King was released in theatres), and Lilo and Stitch (where the trailers focused on Stitch.) Had Disney been able to foresee Frozen, the studio might have made different choices.

At the time, however, they were looking at the box office results for their prestige film, Pocahontas.

Coming up next: the selected writings of Pirate er Captain John Smith.

Mari Ness lives in central Florida.

Mapping Time and Tesseracts!

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Wrinkle in Time Map

Author and Illustrator Andrew DeGraff spent 140 hours hand-painting this fantastic map of A Wrinkle in Time for his book Plotted: A Literary Atlas. Most the maps featured in Plotted are from literary fiction, and remain firmly on land. While the map for A Christmas Carol shows Scrooge’s travels with ghosts, it stays in a historically accurate London; the Watership Down map resembles nothing so much as a particularly grim Family Circus; maps for Robinson Crusoe, The Adventures of Huckleberry Finn, and Invisible Man are all based in solid reality.

For their one truly sci-fi map, however, DeGraaf had to go in a very different direction.

Each character in A Wrinkle in Time has their own timestream, and thus, color. Meg Murry is red, Charles Wallace is blue, Calvin’s line is as orange as his hair, and Mr. Murry is slate gray, presumable because Zachary Gray doesn’t appear in this book. We can follow their various switchbacks and loops, with tessering represented by actual wrinkles in their paths.

Wrinkle in Time Map with Key

While Meg, Charles Wallace, and Calvin travel around the universe with the three Mrs W’s, the twins’ paths stick close to their home and garden on Earth. Also, note how the Black Thing’s creepy tendrils are just starting to encircle us?

Wrinkle in Time Earth

And the sidequest to Uriel features the Happy Medium’s cave, the two-dimensional planet that nearly flattens the kids, and a cameo from Mrs. Whatsit’s other form: a golden centaur.

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This map achieves an unexpected emotion. At the beginning of the story, a whole rainbow of characters travel together as a united front against the Black Thing. By the time we get to Camazotz the colors have shrunk down to three as the three children go together to rescue Mr. Murray. Finally, only a single red line returns when Meg has to face IT alone to save Charles Wallace.

Wrinkle in Time Camazotz

The all-SFF sequel to Plotted is in the works, right? Maybe we could get an anatomy sketch for A Wind in the Door?

[via Atlas Obscura]

Pierce Brown Prize Pack Sweepstakes!

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Morning Star Pierce Brown sweepstakes

The final book in Pierce Brown’s Red Rising Trilogy, Morning Star, comes out February 9th from Del Rey—and we want to send you a shiny set of all three books in hardcover!

Darrow would have lived in peace, but his enemies brought him war. The Gold overlords demanded his obedience, hanged his wife, and enslaved his people. But Darrow is determined to fight back. Risking everything to transform himself and breach Gold society, Darrow has battled to survive the cutthroat rivalries that breed Society’s mightiest warriors, climbed the ranks, and waited patiently to unleash the revolution that will tear the hierarchy apart from within.

Finally, the time has come.

But devotion to honor and hunger for vengeance run deep on both sides. Darrow and his comrades-in-arms face powerful enemies without scruple or mercy. Among them are some Darrow once considered friends. To win, Darrow will need to inspire those shackled in darkness to break their chains, unmake the world their cruel masters have built, and claim a destiny too long denied—and too glorious to surrender.

Comment in the post to enter!

NO PURCHASE NECESSARY TO ENTER OR WIN. A purchase does not improve your chances of winning. Sweepstakes open to legal residents of 50 United States and D.C., and Canada (excluding Quebec). To enter, comment on this post beginning at 2:30 PM Eastern Time (ET) on February 4th. Sweepstakes ends at 12:00 PM ET on February 8th. Void outside the United States and Canada and where prohibited by law. Please see full details and official rules here. Sponsor: Tor.com, 175 Fifth Ave., New York, NY 10010.

FX Developing Marvel Pilot Legion About Professor X’s Son

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Marvel FX pilot Legion David Haller Charles Xavier

Pilot season brings us news of another network taking on a Marvel Entertainment property: FX is developing the pilot for Legion, about a man named David Haller, troubled by voices in his head… and also (in the Marvel Comics, at least) the mutant son of Professor Charles Xavier. While the network ordered the pilot a few months ago, casting news announced today brings the project closer to a greenlight. Downton Abbey‘s Dan Stevens and the wonderful Aubrey Plaza have signed on to play the two leads.

First, some more about the show:

Since he was a teenager, David has struggled with mental illness. Diagnosed as schizophrenic, David has been in and out of psychiatric hospitals for years. But after a strange encounter with a fellow patient, he’s confronted with the possibility that the voices he hears and the visions he sees might be real.

First appearing in New Mutants #25 in 1985, David Charles Haller, a.k.a. Legion, has become something of an antihero, struggling with dissociative identity disorder in which his alternate personalities each control a different power. It will be interesting to see how much FX will pull from his story in the comics for their pilot. Fargo‘s Noah Hawley is set to write and executive produce, alongside Lauren Shuler Donner (X-Men: Days of Future Past, The Wolverine), Bryan Singer (X-Men: Days of Future Past, Superman Returns), Simon Kinberg (X-Men: Days of Future Past, The Martian), Jeph Loeb (Agents of S.H.I.E.L.D., Daredevil), Jim Chory (Agents of S.H.I.E.L.D., Daredevil), and John Cameron (Fargo, The Big Lebowski).

Today’s announcement included a character breakdown:

DAVID (Dan Stevens) – Diagnosed as schizophrenic at a young age, David is a haunted man, trying to find his way back to sanity, but he’s getting tired and is about to give up when he meets the girl of his dreams.

LENNY (Aubrey Plaza) – David’s friend, who despite a life of drugs and alcohol abuse, knows that any day now her life is gonna turn around, which gives Lenny the likeable energy of the impossible optimist despite her rough demeanor.

MELANIE (Jean Smart) – A nurturing, demanding therapist with a sharp mind and unconventional methods.

SYD (Rachel Keller) – Self-sufficient and street smart, Syd uses her sharp and prickly demeanor to protect her soft core, because even though it makes her a sucker and puts her at risk, she still believes in happily ever after.

We love Plaza in most things—and she was especially fantastic in the time travel indie Safety Not Guaranteed—but here’s hoping her role as Lenny isn’t just in service to David’s character development. Legion begins production in March.

The Harry Potter Reread: The Deathly Hallows, Chapters 7 and 8

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Harry Potter and the Deathly Hallows US cover

The Harry Potter Reread was on Facebook the other day and a picture of Hanson (the band) popped up, and the Reread was like “whaaaaaaa?” The Reread has no idea why it needed to inform you of that. Other than the fact that it was a very jarring situation.

This week we’re going to celebrate a very important birthday and attend a fancy to-do at the Burrow. It’s chapters 7 and 8—The Will of Albus Dumbledore and The Wedding.

Index to the reread can be located here! Other Harry Potter and Potter-related pieces can be found under their appropriate tag. And of course, since we know this is a reread, all posts might contain spoilers for the entire series. If you haven’t read all the Potter books, be warned.

 

Chapter 7—The Will of Albus Dumbledore

Summary

Harry has a dream back in Voldemort’s head about searching for a man. Ron wakes him, saying that he was calling for someone named Gregorovitch. Harry thinks that Voldemort is abroad looking for the man, and asks Ron not to tell Hermione that he’s seeing into Voldemort’s mind again. He’s fairly sure that Gregorovitch has something to do with Quidditch, but he can’t remember what. Ron reminds him that it’s his birthday, and Harry celebrates by calling his glasses to him with magic. (They poke him in the eye.) Harry then sends various objects flying about the room, before Ron suggests that he do his fly-up by hand. Then he gives Harry a birthday present: Twelve Fail-Safe Ways to Charm Witches, a book that Ron claims helped him understand everything about girls. The twins gave him his copy, and he insists he’s learned much.

They head downstairs to a pile of presents. Molly and Arthur give Harry a watch, a traditional present for wizards when they come of age. Harry’s is a hand-me-down from Molly’s brother, and she apologizes for it, but Harry is overcome and hugs her. Hermione gives Harry a new Sneakoscope, Bill and Fleur give him a magic razor, he gets chocolates from Fleur’s family, and new Weasleys’ Wizards Wheezes mercy from the twins. Hermione volunteers to pack Harry’s gifts, claiming that she’s nearly done, just waiting for Ron’s underwear to come out of the wash—which is hardly a welcome discovery on Ron’s end. Ginny calls to Harry and he enters her room for the first time. She says that she didn’t know what to get him for his birthday, but decided that she wanted to give him something to remember her by while he’s out there, so she kisses him fiercely. And then Ron bangs open the door and utterly destroys the moment. Ginny turns away from Harry, possibly to cry, and Harry follows Ron and Hermione out of the room, then follows Ron out into the yard.

Once there, Ron starts in on Harry for “messing Ginny around” after ending things with her. Harry insists that’s not what he was doing, and that Ginny knows full well that they don’t have a future together. This puts Harry in mind of Ginny someday getting married to someone who is obviously not him. When Ron continues to scold Harry, he tells his friend that it’s not going to happen again. Ginny pretends that nothing happened at all, and Charlie arrives in the afternoon, helpfully distracting everyone. So many people arrive at Harry’s birthday dinner that Molly puts several tables out in the garden for the celebration. Everyone helps with the decorations, and when Hermione dresses the bushes and trees with streamers, Ron compliments her, to her confusion. Harry figures there’s a chapter in the book Ron gave him on that. Molly comes outside with a giant birthday cake for Harry in the shape of a Snitch. Hagrid arrives in his awful hairy suit, and Harry notices that while Tonks seems incredibly happy, Lupin looks the opposite. Harry and Hagrid reminisce about their meeting, but has to avoid Ron and Hermione’s eyes when it comes clear that Hagrid doesn’t know they’re not coming back to school. He gives Harry a drawstring pouch that prevents anyone but the owner from getting into it. Hagrid talks to Charlie and asks after Norbert—who turns out to be a lady dragon.

Mr. Weasley is late for the dinner. Suddenly, his Patronus shows up and conveys a message: The Minister of Magic is coming with him. Lupin panics, grabbing Tonks and running off. Arthur and Scrimgeour appear, and the Minister asks to speak to Harry, Ron, and Hermione alone. They all head into the sitting room, the trio worrying, wondering who could have told Scrimgeour that they were not coming back to school. He tries to separate them out, to talk to them individually, but Harry insists that they stay together. Scrimgeour tells them that he’s there about Dumbledore’s will, and is surprised that none of them know they were left anything by him. Harry asks why it’s taken so long for them to be told, and Hermione realizes that they’ve been examining all the items he left to them. When Hermione takes him to task for it, Scrimgeour insists that the law supports his actions—to which Hermione schools him on the law in question, pointing out that it’s meant for Dark artifacts, and that the Ministry would need powerful evidence to suggest that the items were dangerous. Scrimgeour asks Hermione if she’s planning a career in Magical Law, but she tells him she only means to do good in the world. Harry asks why they’re handing over the objects now; Hermione informs him that they only get 31 days to prove that they’re dangerous, so time’s up.

Scrimgeour asks if Ron was close to Dumbledore, startling everyone. Ron says they weren’t really before realizing that admitting to it is a mistake. Scrimgeour wants to know why Dumbledore would have bequeathed something to Ron when he barely knew the headmaster, especially since he gave out very few things in his will—the majority of his possessions were left to Hogwarts. Hermione insists that Dumbledore was fond of Ron, though they all know that’s not true. Scrimgeour reads the relevant parts of the Dumbledore’s will aloud, giving Dumbledore’s Deluminator to Ron. He suggests that Dumbledore might have invented the item himself and asks why he would have left something so special to Ron. He tells them that Albus only left items to them out of all the students he taught. When he asks what Dumbledore expected Ron to do with the Deluminator, Ron suggests that he’ll “put out lights, I s’pose.” So Scrimgeour moves to Hermione, who was left a copy of The Tales of Beedle the Bard. He asks Hermione why she was left this book. Hermione suggests that Dumbledore knew she loved books as she wipes tears from her eyes. Scrimgeour asks if this book is a means to pass codes or messages, which Hermione denies. Harry is given the Snitch he caught in his first Quidditch match, and feels a bit underwhelmed by it.

Scrimgeour asks Harry is he knows why he was left that Snitch, and Harry figures it’s symbolic, to remind him to persevere, as Dumbledore suggested in his will. But Scrimgeour has a different idea; he thinks that an object might be hidden inside it. Harry doesn’t know why he’d think that, but Hermione does. It’s because Snitches have “flesh memories.” Apparently, a Snitch is never touched before it’s released, even by the people who create them. The first person to lay hands on a Snitch imprints upon it, meaning that the Snitch Harry has received will respond to his touch. Scrimgeour thinks that perhaps Dumbledore has hidden something for Harry in the Snitch. Harry realizes that the Minster is likely right, but he has no option but to take the thing. Nothing happens. Scrimgeour reveals that there was another item left to Harry by Dumbledore—Gryffindor’s sword. Scrimgeour informs Harry that the sword is a historical artifact, and so it was not Dumbledore’s to give. Hermione is furious about it, since the sword chose Harry in second year. When Scrimgeour asks Harry why Dumbledore would want Harry to have to sword, Harry gets flippant, bringing the Minister’s temper to the forefront. He asks if the sword is the only thing that can kill the Heir of Slytherin, to which Harry asks if the Ministry has assigned anyone to figure that out. Then he asks what else the Minister has been doing to waste time while people die all around them.

Calling Scrimgeour out on his BS finally gets a reaction, and the Minister pulls his wand on Harry and presses it to his chest, singeing a hole in Harry’s shirt. Ron gets to his feet to defend Harry, but Harry calls him off to prevent anyone from getting arrested. Scrimgeour goes off on Harry for his insolence, telling him it’s time that he learned respect. Harry counters that it’s time Scrimgeour earned it. Molly and Arthur burst in at the raised voices and Scrimgeour clearly regrets losing his temper so obviously. He once again suggest that he and Harry should be working together. And once again, Harry reminds him that he doesn’t like the Ministry’s methods, flashing that scar on the back of his hand, given to him by Umbridge: I must not tell lies. Scrimgeour leaves. Arthur asks what happened, and Harry explains that the Ministry released the objects in Dumbledore’s will. Everyone exclaims over what the trio was left and is upset over the loss of the sword, but no one understand the Snitch. The group eats and then the party is over. Hagrid sets up a tent for himself in a nearby field since he’s coming to the wedding the next day. Harry tells Hermione to meet him and Ron upstairs after everyone’s asleep.

Harry fills Hagrid’s moleskin bag with the shard of Sirius’ mirror, the R.A.B. locket, and the Marauder’s Map. Hermione enters, using the Muffliato spell so they won’t be overheard; apparently she approves of it these days. Hermione asks to see the Deluminator, wondering why it was given to Ron when they could achieve the same effects with Peruvian Instant Darkness Powder. Harry asks if Hermione thinks Dumbledore figured on the Ministry examining the items, and she figures he did. She also wishes that she knew why he couldn’t have given them hints about these items while he was still around. She also wonders why nothing happened when Harry touched the Snitch, which is when Harry points out that he misled Scrimgeour on purpose—because when he caught that Snitch, he nearly swallowed it. Harry presses it to his mouth, but it does not open. Then Hermione notices writing on it, reading “I open at the close.” None of them can figure out what that means. Ron asks about the sword again, and Harry wonders why Dumbledore didn’t just hand it over in his office last year. Hermione mulls over her book and the fact that she’s never heard of it. Ron is shocked; Beedle is the author of all well-known wizarding children’s stories. Hermione wonders why Dumbledore thought she should read them. They hear a creak downstairs and agree they should all get to bed.

Commentary

Harry goes into Voldemort Vision for the quest to find Gregorovitch, a mystery that gets solved in the very next chapter. But it’s his birthday! Yay? Ron gives him his first present, a book about how to figure out girls. Ron. Oh my god, Ron. Harry doesn’t really need help with that like you do. Which is mostly because Harry has already worked out that women are just people. Their discussion of the book does lead to this choice quote, however:

“Well, Fred and George gave me a copy, and I’ve learned a lot. You’d be surprised, it’s not all about wandwork, either.”

Wait. Wait, are we talking about wandwork or wandwork? You know what, don’t tell me, either way I’m disturbed.

Harry opens his other gifts, and the one from Molly and Arthur is a watch, which is part of wizarding tradition on a coming-of-age birthday. Molly feels the need to apologize for its secondhand-ness, but Harry is buried by his feels, and then I remember why I sometimes wake up in the middle of the night crying over these characters and their perfect relationships…

…no? That’s just me?

It’s everything that matters about Harry and the Weasleys. Harry, who comes from a respected pureblood family and has access to a fair bit of money, but would never think to look down on such a thoughtful gift just because it wasn’t new or fancy. Because the gift is entirely symbolic; Harry knows nothing about the common practices of magical culture, and the Weasleys (particularly Molly) always take it upon themselves to pull Harry into the fold by always doing the things his parents would have done for him were they alive. Family sweaters and supervising his first Floo trip and inviting him over for holidays and throwing him a birthday party. The watch isn’t there because Harry must have that gift when he comes of age. The watch is there because Harry is their son. And he knows.

We get Hermione’s mention of packing Ron’s underpants and more awkwardness all the way around, which then culminates in Harry and Ginny’s brief makeout session and Ron’s big-brother foot stamp about it. This is all incredibly important in the grand scheme of the story: Everything that happens in this chapter is foreshadowing Ron’s problems toward the middle of the book. Ron needs a book to “understand” women. Ron completely misunderstands why Harry is kissing his sister. Ron is still learning that compliments make a person like you better, that you actually have to be emotionally available to someone for them to take you seriously as a potential partner. This chapter should also make it pretty clear why Ginny and Harry end up together; this is a damned mature relationship for a sixteen- and seventeen-year-old to have, and they are entirely compatible as people. Ginny has the right sense of humor, a metric ton of bravery, she aligns precisely with Harry in all the ways that count, young or not. Her brother mistakes the moment he walks in on for Harry taking advantage of Ginny’s feelings, failing to recognize that NO ONE IN THE UNIVERSE TAKES ADVANTAGE OF GINNY WEASLEY WITHOUT HER EMPHATIC SAY-SO. Ginny is tough as they come. Ginny is saying goodbye, knowing that this might be the last moment they spend together, and she plans to make it count.

On the other hand, we get all this hinting about Remus and Tonks and, uuuuuuggggghhh this plot line pisses me off. At least it ends in Teddy Lupin (who is a fandom darling if I ever saw one, though we know practically nothing about him other than his multi-colored hair and adoration for Victoire), but that doesn’t excuse Remus, who is basically pulling a Tonks from the previous book, spending the whole time sad and cagey and difficult to be around. And there’s a legitimate reason for it with the Ministry being so anti-werewolf, but we don’t ever get information on what the Ministry is doing in that regard, which I think is a mistake. Let us know what Remus and Tonks actually have to contend with, don’t just make him frowny and then murder him.

(Brief aside: Norberta. I had completely forgotten than part. I feel like I lost a beloved birthday present and re-found it in my closet years later. Norberta the dragon. <3)

We get the items from Dumbledore’s will, but whatever, the whole point of this chapter is watching Hermione and Harry school Scrimgeour:

“Are you planning to follow a career in Magical Law, Miss Granger?” asked Scrimgeour.

“No, I’m not,” retorted Hermione. “I’m hoping to do some good in the world!”

I don’t think this line affected me quite so much the first time around, but being older, I can take a step back and think about it. About what it means to have watched Hermione grow and evolve through these past six books and come out as this dazzling woman. And then I think about what we know of her future, about how she does go into Magical Law, and she does do good, and now I’m crying because 5000 points to Hermione Granger for being awkward and nosy and bad at people and proud of her own intelligence, and coming out the other side as this unstoppable force for change. It’s impossible to appreciate her enough.

She also does this, which is the best:

“I notice that your birthday cake is a Snitch,” Scrimgeour said to Harry. “Why is that?”

Hermione laughed derisively.

“Oh, it can’t be a reference to the fact Harry’s a great Seeker, that’s way too obvious,” she said. “There must be a secret message from Dumbledore hidden in the icing!”

I’m pretty annoyed with the bit about flesh memories magic where Snitches are concerned because that’s clearly just written in for this book. Up until this moment, there was never a suggestion that you had to use a new Snitch for every Quidditch game. Some of these fill-ins that Rowling has to do don’t bother me, and some of them stick out in ways they irk—this one gets under my skin and itches, even if it’s used to excellent effect. Just a shame it couldn’t have been brought up in an earlier book somehow.

And then Scrimgeour loses his cool with Harry, and this moment is such a slap in the face. Because I feel like there’s something to be said about the malleable line between being a child and being an adult that Scrimgeour throws into relief. Sure, seventeen is the coming-of-age for wizards, but age is an arbitrary marker at best for deciding when someone is an “adult.” Frankly, “adult” is a wobbly term all by itself. So I think it’s fair to say that while Harry is a fully-grown mature human being in some ways, in others, he’s not quite grown up yet. But Scrimgeour comes on this day, the day that the wizarding world says Harry is an adult—and even if the reason is due to time being lawfully up with Dumbledore’s bequeathals, it doesn’t change the fact that on this meeting he blows his calm to act violently toward Harry the way he would toward a grown man. He wants leave to treat Harry that way, yet he also wants the blind respect that adults often demand of children.

And it’s down to Harry to tell the Minister of Magic that no matter his own tender age, no matter his experience, he will not afford Scrimgeour respect he has not earned.

Yeah, I love this entire section.

We hear about the sword of Gryffindor, and on a reread, it’s obvious why Dumbledore leaves it to Harry when he cannot legally possess it; it’s simply to remind him to use it. A smart move that will pay off later on.

 

Chapter 8—The Wedding

Summary

By 3pm the next day, everyone is awaiting the wedding guests. Harry has taken Polyjuice Potion to look like a Muggle boy from town, with a plan to introduce him as their cousin Barny. Harry, Ron, and the twins are showing people their seats. The back yard is all done up, and Harry is very uncomfortable in his dress robes with a slightly larger body. Fred tells everyone that when he gets married, they can all wear what they like. George points out that Molly’s in a good mood despite everything, though she did cry a little in the morning over Percy not being there. Tonks and Lupin turn up during the seating, and Tonks apologizes for their flight the night before; the Ministry has been very anti-werewolf of late. Harry notices that while Lupin gives him a smile, when he turns away he looks upset again. Hagrid sits down in the wrong place, reducing several chairs to kindling, which Arthur repairs. Ron is seating Luna’s father Xenophilius Lovegood, who lives with his daughter just over the hill. Luna recognizes Harry immediately due to his expression, though luckily her father does not hear her greet him by name. She tells Xenophilius that she was bitten by one of the garden gnomes she was talking to, and he is elated, telling her that she may have been gifted with their magic. Luna tells Harry that he looks good in his dress robes and goes off to sit with her father.

Ron walks over with his Auntie Muriel, who is busy criticizing everyone. She’s displeased that Harry isn’t at the wedding, as she’d been waiting to meet him. Then she criticizes Fleur for being French and continues on with Ron toward her seat. Ron comes back later to complain about how she used to come over every Christmas until the twins set off a dung bomb under her chair. Hermione shows up looking lovely, and Ron compliments her. Hermione informs him that Muriel didn’t think she looked all that good, and Ron assures her that his aunt insults everyone. The twins show up to remark that they wished their Uncle Bilius was still alive because he was such fun at weddings (the one who saw a Grim and died a day later). As they’re all laughing over stories about him, Viktor Krum shows up, telling Hermione that she looks wonderful. He was invited by Fleur, and while Ron is steaming and Hermione is flustered, Harry shows him his seat. Viktor causes a stir in the tent, being a famous Quidditch player and all. The wedding begins, presided over by the same wizard who led Dumbledore’s funeral. Muriel praises her tiara that Fleur is wearing, but is displeased over how low-cut Ginny’s dress is. Ginny grins and winks at Harry when she hears. As Fleur and Bill are pronounced husband and wife, the balloons about explode releasing flowers and ringing golden bells.

The tent transforms itself for the reception, gaining a dance floor and tables and chairs for eating. Ron grabs the three of them butterbeers and suggests that they grab a table before anything else. They sit down at a table with Luna, who tells them that her father is giving Bill and Fleur their present. When Ron cracks a joke about it, Hermione tries to kick him under the table, but gets Harry instead. The first of the dances begin, and Luna gets up to join in, leaving a spot open for Viktor to sit. He asks about who Xenophilius is, but Ron doesn’t want to talk with Viktor—he tells Hermione to come and dance with him. Viktor figures that they’re dating now, then decides to talk to “Barny,” telling him that if he were not Fleur’s guest today, he’d duel Xenophilius. Harry asks why, and Krum tells him it’s because Luna’s father is wearing a symbol—something that looks like a triangular eye—that is Grindelwald’s sign. It turns out that Grindelwald killed Viktor’s grandfather back in the day. The Dark wizard carved the same symbol into walls at Durmstrang when he was a student. Viktor tells Harry that other students copied the symbol down to seem “impressive” until other Durmstrang students who had family killed by Grindelwald “taught them better.”

Harry suggests that Xenophilius might not know what the symbol means, given his usual odd theories. Krum isn’t sure how to take that and thinks that Barny might be making fun of him, so he draws his wand… and then Harry remembers that Gregorovitch made the wand, that he heard that name during the Triwizard Tournament when their wands were weighed. Krum doesn’t understand how Harry could know the maker of his wand, so Harry pretends he somehow read it in a fan magazine. He asks after Gregorovitch, and Viktor tells him that the man retired right after he bought his own wand. Harry realizes that Voldemort must be searching for the guy to find an answer to his wand problem. Viktor then asks about Ginny, and Harry tells him that she’s dating a big jealous dude, and that he should stay away. Poor Viktor is understandably put-out. Harry goes to tell Ron about Gregorovitch, but Ron and Hermione are still dancing. Ginny is dancing with Lee Jordan. The festivities proceed to get more drunken and more unkempt, and Harry is wandering around trying to avoid an uncle of Ron’s who thinks that Harry might be his son. Eventually he discovers Elphias Doge and asks to sit down next to him. He tells the man who he truly is and Doge is dearly pleased to talk to him. Harry mentions his obit on Dumbledore and Rita Skeeter’s interview. Doge is ashamed of being rude to her, though he still doesn’t like her one bit. When Harry brings up what she said about Dumbledore being involved in the Dark Arts, Doge tells him not to believe a word of it, insists that Harry let nothing tarnish his memory of the headmaster. It’s not the answer Harry wants.

Muriel hears Rita Skeeter’s name and starts talking about how much she loves the woman. She takes a seat from another Weasley and starts going on about the new book, giving Doge a hard time for worshipping Dumbledore, suggesting that it might turn out that Albus offed his Squib sister. Harry is shocked, and tries to clarify; all he’d heard was that Ariana was ill. Muriel says that it happened ages ago, and no one from their generation really knows what happened, which is why she’s so keen on getting a copy of Skeeter’s book. Doge insists that Dumbledore never spoke of his sister because he was devastated by her death, but Muriel points out that most people didn’t even know Ariana existed until she died. Then she mentions how terrifying Dumbledore’s mother Kendra was, saying that she was Muggle-born, though she might have pretended not to be, and would have been upset to have a Squib daughter. She tells Harry that in their day, Squibs were often sent to Muggle schools to integrate into their society rather than being second class among magical folk, but that Kendra would have never allowed her daughter to do that. Doge still insists that Ariana was not a Squib, that she simply had poor health, but Muriel demands to know why she never went to St. Mungo’s or saw a Healer; her cousin worked at St. Mungo’s and told her Ariana had never been in.

Harry is thrown by the entire conversation, wondering if Dumbledore’s sister had been subjected to a life like his at the Dursleys, only reversed. Muriel claims that if Kendra hadn’t died before Ariana, she’d have assumed that she did in her own daughter, but figures that perhaps Ariana killed her mother in a struggle to break free. She points out that Doge was at Ariana’s funeral, and when Doge insists that Albus was heartbroken, Muriel points out that Aberforth broke his brother’s nose at the funeral—she knows because her mother was friends with Bathilda Bagshot (the woman who wrote A History of Magic, an old friend of Albus’), who told her the whole story. Apparently, Aberforth shouted that Araina’s death was all Albus’ fault before decking him, and Albus didn’t bother to defend himself. Muriel reckons that Skeeter got Bagshot to talk to her, though Doge denies that she ever would. Muriel counters that Bagshot’s mental state isn’t what it used to be, and that getting information from her would be well worth the trek to Godric’s Hollow. Harry chokes on his butterbeer. He asks about that, and Muriel informs him that Bagshot’s lived there forever, along with the Dumbledore family. Harry cannot understand why, but Albus never having mentioned that they had this place in common feels like a lie to him, and he feels numb at the revelation.

Hermione comes to sit down, claiming that she can’t dance anymore. Ron is off finding more butterbeer, and she thinks that Viktor and Xenophilius were fighting about something. She notices something off about Harry and asks what’s wrong, but in that moment, Kingsley’s lynx Patronus appears on the dance floor. It has a message for them:

The Ministry has fallen. Scrimgeour is dead. They are coming.

Commentary

Oh nooooooo, no, Fred makes a comment about how everyone can dress down when he gets married NOOOOOOOOO ROWLING HOW COULD YOU.

We meet Aunt Muriel, who is not quite as bad as Vernon in terms of terrible prejudiced relatives who you hate having at family functions? But she’s not much better, either. We also meet Luna’s dad, who is every bit as fun and out there and we’d expect him to be. Also, I want Luna to dance at every party I ever go to forever, the end.

I love the bit where Viktor explains to Harry about his anger over Xenophilius wearing Grindelwald’s symbol because it’s such an excellent fictional example about morphing symbology in the real world, and the problems it causes. Many know that the swastika was not originally a Nazi symbol at all, for example. But even though the Nazi’s appropriated it from another culture, that doesn’t mean that it’s okay for other people to go around wearing swastikas—because the Nazi Party’s use of the symbol changed its meaning to the world. Here we have the same situation: to Xenophilius Lovegood, he’s wearing the symbol of the Deathly Hallows. But for Krum and other people who lost family and more at Grindelwald’s hands, he is wearing a symbol that represents a Dark wizard’s reign of terror and violence. Krum even talks of kids taking up the symbol at Durmstrang, and how other students who had been personally affected by his reign put a stop to it. (We don’t know if they did this peacefully or through intimidation, which is important as well.) And honestly, while I hope he didn’t hurt anyone to get his point across, I am absolutely on Viktor’s side in terms of how the symbol should be put aside going forward. Unfortunately, Xenophilius Lovegood isn’t exactly a person you can talk to reasonably on the subject, as we will later come to see.

Harry gets the chance to talk to Elphias Doge, a conversation that gets sidelined by Auntie Muriel and her mean gossip about Albus and his family. And now I remember what really happened with Ariana Dumbledore and Albus’ dad, which I had previously forgotten at the start of this book’s reread. True to form, what we’re hearing about Albus are extremes on both sides, just like the Daily Prophet’s sampling. And it’s clear that Rowling is doing this on purpose, is making the point that no one really gets these things right. Saints and demons, we love those, but rarely is a person remembered for who they truly were. Elphias Doge isn’t right about Albus, but neither is Muriel. One is too forgiving, the other revels in nastiness. And Harry doesn’t really believe either of them entirely—he just know there’s something wrong with the story. And then gets the extra punch of learning that Albus lived in the same place where his family did. Harry feels betrayed, but it seems likely yet again that this was done on purpose; Albus had no idea that Harry had planned to go to Godric’s Hollow, and probably wanted to ensure that he did. Leaving that important piece of info out certainly strengthens Harry’s resolve to go.

And then this chapter ends on the most horrific note possible. Even knowing it was coming this time around, my stomach dropped all over again. It’s perfectly ominous in every possible sense, and creating horror at a wedding is a sure way to prove you mean business.

Sooooo much information in these chapters! I’m sorry about the summaries having to be so long. Oof.

Emily Asher-Perrin still has chills over Kingsley’s Patronus message. You can bug her on Twitter and Tumblr, and read more of her work here and elsewhere.

We’re Going Back…to a Galaxy Long Ago and Far, Far Away

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Luke and Anakin

A mad Parisian genius known as Thirsty Bstrd has given us the single greatest work of nostalgia we’ve seen in a long time. What would happen if one combined the power of Star Wars and Back to the Future? What happens is that Obi Wan Kenobi has to guide young Luke Skywalker into the past, to ensure that Anakin and Amidala find true, if brief, love.

Let’s not dwell on just how much incest is happening, OK?

First we have to get the Delorean set correctly:

Long Time Ago

textFirst, Luke has to work with an older Doc Kenobi in the future.

Older Obi Wan as Doc

But once he goes back into the past, he has to convince young (and weirdly kind of hot?) Doc Kenobi that he’s telling the truth!

Young Doc Kenobi

And then there’s his mom… the less said about this the better.

Amidala in the 1950s

But I think my personal favorite is Luke shredding at the Enchantment Under the Sea dance… or, well, Enchantment Under the Sand might be more appropriate. Seas are hard to come by on Tatooine. How sweet are the Modal Nodes in those suits, though?

Enchantment Under the Luke

You can see the rest of the mashup over at Thirst Bstrd’s site!

 

 

The Dragonlance Chronicles Reread: Dragons of Winter Night Part II, Chapter 10

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Dragons of Winter Night

Welcome back to the Dragonlance Reread!

Remember waaaay back when we were super-excited about following #TeamLaurana and their adventures? Those halcyon days of youth, when elf-politics seemed exciting, and the worst thing we had to complain about was Gilthanas’ dating technique? That was a long time ago. But, huzzah! We are at the end of this section! No more wandering in the wilderness, and best of all, time to learn…

 

“Silvara’s Secret”

Summary

We’re still with Tas and Fizban, who share some dried fruit while having a catch-up. At the mention of Silvara’s name, Fizban gets highly disturbed and demands to know where everyone else is. They rush back to the tomb, with Fizban using a spell that goes comedically awry to get them back down again.

Cut to Laurana, who wakes up from the spell Silvara had cast to find the others also slowly waking up. Silvara is a hot sobbing mess in the corner. The weeping makes them less angry towards her, but Silvara is shocked that her spell has broken.

Fizban makes a dramatic entrance and declares that this is his doing. Everyone is amazed that he is still alive. Flint faints dead away. Silvara shrieks and whimpers (#strongfemalecharacter). Fizban accosts her, demands to know what she has done: walking around the world in another body, breaking her oath, bringing the companions here. He asks about the dragon orb, notices the others around and does a little hail-fellow-well-met routine with them.

There is some emotional back and forth between Silvara and Fizban about whether she must reveal her secret to the others or not. Fizban being much gentler now, pointing that she can easily make the others forget they were ever here—though that may lead to other potential issues. With that, Fizban says his goodbyes and leaves. Tas follows, because, Tas.

All eyes on Silvara now. She professes her love for Gilthanas, but says something mysterious about the form she has chosen bringing about a weakness, too. It’s all very emotional. Laurana finds their grief too much to watch and instead decides to wake Flint up. Flint, upon waking, is (rightfully) annoyed that Laurana watched Tas go off with a dead old man and makes a feeble attempt to follow them but Laurana distracts him by telling him that Silvara’s about to fess up.

Silvara, embracing the drama, has Gilthanas shine a torch directly at her. She then points out her shadow to the others. It is not that of a young elf but of—gasp—a dragon! She is, she explains, a Silver Dragon. Her sister was the very same Silver Dragon who loved Huma and fought in the great final battle with him. Gilthanas is upset, to say the least. He finds this whole situation nightmarish and is in agony at the thought of… well, I assume some logistical details surrounding recent events in a lake?

Meanwhile, Silvara says there are good dragons around, but she can’t divulge why they won’t help fight the bad ones. She explains that by taking Elven form and lending a hand, she has already interfered more than she should have. The existence of the Dragon Orb and the broken Lance together made her think it was a sign. While Gilthanas sobs in a corner, Silvara has another momentarily internal debate and fully commits—with some heavy declamation, she decides to grant Theros of the Silver Arm the power to forge the Dragonlance.

 

Monster(s) of the Week

Silvara! Silvara! Silvara! She’s a Silver Dragon, yo!

 

Notable Quotes

“Just leave me alone, let me think. This is madness! It’s all a nightmare. A dragon!” Gilthanas whispers this ‘brokenly’.

 

Mahvesh’s Take

Finally, Silvara is interesting… just about.

Not sure this all makes up for the previous weepiness and generally annoying shadiness, but at least we finally know what’s up. The problem with this chapter is that it takes ages to get to the final reveal. While I understand this desire to create tension, it’s just absurd to suspend disbelief long enough to accept that Laurana and the others would all hang out casually while waiting for this big reveal. And it’s annoying to the reader too. Certainly nothing major happens while we wait, anyway!

Meanwhile, am I the only one who thinks Gilthanas is overreacting? His reaction to Silvara being a dragon in human form is so much more violent than the others’, that I can only assume he’s repulsed by the fact that he has had a physical relationship with Silvara. I get the whole inter-species sex bit is traumatic, but she was in elven form… is that all that bad? Or is it that he can’t accept he loves a dragon, a mythical beast that could eat him alive? I don’t know what’s up here. I just want to tell him ‘be cool, Gilthanas, be cool’.

So what’s up with the good dragons? Though now we know there are plenty of them hanging around (heaven knows in what form, falling in love with whom, tsk tsk), we still don’t know why they aren’t showing themselves or getting involved—unless they are, in sneaky Silvara type ways? I’m confused by all this… okay so she sees an Orb and a broken Lance and thinks they’re a sign—but a sign for what? From whom? That the Dragonlances must again be forged for the new battles to come? That she must be involved in the whole situation? That she must bring them to Huma’s Tomb? This whole thing seems a bit shaky.

I miss Raistlin. He’s have asked the hard questions, I bet.

 

Jared’s Take

Ok, massive pet peeve time—and apologies as I’ve ranted in a similar fashion in the previous book as well.

First, Fizban just came back from the dead, mysteriously teleported halfway across the world, intimidated a dragon, inferred—in an obvious way—that he knows everything that’s going on, and then wandered off, taking their kender with them.

Would anyone ever let that happen? No one even tries to question him! The closest we get is Tas starting a conversation and then getting distracted by shiny objects. But, for the umpteenth time, Fizban is clearly not what he seems to be—and in this case, whatever he actually is has direct and consequential impact on the party. Yet everyone just lets it slide.

The closest we get to an explanation—not of Fizban, but of the party’s shockingly lax sense of security/curiosity—is that he has a powerful and ominous presence. Reading between the lines—generously—we could assume he’s magicking everyone into not pestering him with questions. We know, for example, that he’s mind-controlled Tas in the past.

Second, keeping in mind that this is actually based on / running parallel to an RPG, the problem is completely exacerbated. There’s no more brutally paranoid sector of humanity than your average D&D character. There is no way that any group of players would let this go unexamined. The slightest hint that an NPC might have a secret will get even your party paladin cracking out the thumbscrews.

This is all exacerbated by the party’s bizarrely passive relationship with Silvara, in which no one ever bothered to ask her questions—or press her for answers—despite trekking through the wilderness. And again, with nothing better to do. You know the old joke about the America song? If you’re riding through the desert on a horse with no name—what else do you have to do besides name the horse? This is a bit like that, except you suspect the horse is actively plotting against you.

Unpeeving now –

There is something thematically interesting about the party having another—for lack of a better word—religious revelation. In Autumn Twilight, the party found light in the darkest hour (literally: Riverwind was killed during magical night, then resurrected by the glow of the blue crystal staff.)

In Winter Night, Laurana’s crew have been abandoned by the institutions they believe in: the elf kingdoms, their families, the knighthood—all proving false. Guided only by blind faith, they’ve stumbled through the (actual and proverbial) wilderness in search of meaning. And now—they have it. A force of disguised pure Good (remember, alignment is relentlessly polarised) has revealed itself, and with that revelation, expanded their minds to recognise an entire new/old pantheon of Good. Just as the party was feeling overwhelmed by the evil (and Evil) in the world, a miraculous winged being has delivered the truth, for the party to disseminate throughout the land. The Gospel according to Laurana.

None of it is particularly subtle (I mean, let’s talk about Tasslehoff’s absent-reappearing-absent magical spectacles at some point!), but it is effective. Epic fantasy’s Judeo-Christian influences—from Narnia to His Dark Materials—are well-documented, and Dragonlance, a very, very epic fantasy, is clearly part of this long-standing tradition. To quote the classic lyricist, and pastor’s daughter, K. Perry: “This is how we do.”

ANYWAY, enough god-bothering—we’ve finally closed the book (or the section) on Silvara, and can now return to the real action. Right?

Mahvesh loves dystopian fiction & appropriately lives in Karachi, Pakistan. She writes about stories & interviews writers the Tor.com podcast Midnight in Karachi when not wasting much too much time on Twitter.

Jared Shurin is an editor for Pornokitsch and the non-profit publisher Jurassic London.


Check Out the Cover Art for Tor.com’s Spring and Summer Titles

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We’ve been busy this week revealing the covers for Tor.com Publishing’s spring and summer line-up, with a little help from the B&N Sci-Fi & Fantasy Blog and SF Signal. It’s an exciting season for us—we’ve got something for everyone, from cyberpunk to high fantasy, and everything in between! We’re also excited to publish our first novel with Malka Older, plus new series additions from Matt Wallace, Tim Lebbon, and Andy Remic.

Check out all the covers below!

All of these titles will be available worldwide in ebook, audiobook, and trade paperback.

 

The Jewel and Her Lapidary

Written by Fran Wilde
Illustrated by Tommy Arnold
Designed by Christine Foltzer
Available May 3rd
Pre-order Now: iBooks | Kindle | Nook

Jewel_Final

From the catalog copy:

The kingdom in the Valley has long sheltered under the protection of its Jewels and Lapidaries, the people bound to singing gemstones with the power to reshape hills, move rivers, and warp minds. That power has kept the peace and tranquility, and the kingdom has flourished.

Jewel Lin and her Lapidary Sima may be the last to enjoy that peace.

The Jeweled Court has been betrayed. As screaming raiders sweep down from the mountains, and Lapidary servants shatter under the pressure, the last princess of the Valley will have to summon up a strength she’s never known. If she can assume her royal dignity, and if Sima can master the most dangerous gemstone in the land, they may be able to survive.

 

A Whisper of Southern Lights

Written by Tim Lebbon
Illustrated by Gene Mollica
Designed by Christine Foltzer
Available May 10th
Pre-order Now: iBooks | Kindle | Nook

Whisper_Final

From the catalog copy:

Death and destruction follow the demon wherever he treads, and Gabriel is rarely far behind, waiting for his chance to extinguish the creature known as Temple once and for all.

But in Singapore during the Second World War, a lone soldier in possession of a shattering secret gets caught up in their battle. The knowledge he holds could change the course of their ancient conflict… and the fate of the world.

A Whisper of Southern Lights is a standalone tale in the Assassins series by Tim Lebbon.

 

Runtime

Written by S.B. Divya
Illustrated by Juan Pablo Roldan
Designed by Christine Foltzer
Available May 17th
Pre-order Now: iBooks | Kindle | Nook

Runtime_Final

From the catalog copy:

The Minerva Sierra Challenge is a grueling spectacle, the cyborg’s Tour de France. Rich thrill-seekers with corporate sponsorships, extensive support teams, and top-of-the-line exoskeletal and internal augmentations pit themselves against the elements in a day-long race across the Sierra Nevada.

Marmeg Guinto doesn’t have funding, and she doesn’t have support. She cobbled her gear together from parts she found in rich people’s dumpsters and spent the money her mother wanted her to use for nursing school to enter the race. But the race is the only chance she has at a better life for herself and her younger brothers, and she’s ready to risk it all.

 

Infomocracy

Written by Malka Older
Designed by Will Staehle
Available June 7th
Pre-order Now: iBooks | Kindle | Nook

Infomocracy_full

From the catalog copy:

It’s been twenty years and two election cycles since Information, a powerful search engine monopoly, pioneered the switch from warring nation-states to global microdemocracy. The corporate coalition party Heritage has won the last two elections. With another election on the horizon, the Supermajority is in tight contention, and everything’s on the line.

With power comes corruption. For Ken, this is his chance to do right by the idealistic Policy1st party and get a steady job in the big leagues. For Domaine, the election represents another staging ground in his ongoing struggle against the pax democratica. For Mishima, a dangerous Information operative, the whole situation is a puzzle: how do you keep the wheels running on the biggest political experiment of all time, when so many have so much to gain?

 

Return of Souls

Written by Andy Remic
Illustrated by Jeffrey Alan Love
Designed by Christine Foltzer
Available June 14th
Pre-order Now: iBooks | Kindle | Nook

Return of Souls cover art Tor.com Publishing

From the catalog copy:

If war is hell, there is no word to describe what Private Jones has been through. Forced into a conflict with an unknowable enemy, he awakes to find himself in a strange land, and is soon joined by young woman, Morana, who tends to his wounds and tells him of the battles played out in this impossible place.

She tells him of an Iron Beast that will end the Great War, and even as he vows to help her find it, enemy combatants seek them, intent on their utter annihilation.

Return of Souls is the second volume of the trilogy Andy Remic began with A Song for No Man’s Land.

 

Pride’s Spell

Written by Matt Wallace
Designed by Peter Lutjen
Cover photo © Getty Images
Available June 21st
Pre-order Now: iBooks | Kindle | Nook

Pride's Spell Matt Wallace Sin du Jour Tor.com Publishing

From the catalog copy:

The team at Sin du Jour—New York’s exclusive caterers-to-the-damned—find themselves up against their toughest challenge, yet when they’re lured out west to prepare a feast in the most forbidding place in America: Hollywood, where false gods rule supreme.

Meanwhile, back at home, Ritter is attacked at home by the strangest hit-squad the world has ever seen, and the team must pull out all the stops if they’re to prevent themselves from being offered up as the main course in a feast they normally provide.

Starring: The Prince of Lies, Lena Tarr, Darren Vargas. With Byron Luck. Introducing: the Easter Bunny.

 

The Ghoul King

Written by Guy Haley
Illustrated by Chris McGrath
Designed by Christine Foltzer
Available July 12th
Pre-order Now: iBooks | Kindle | Nook

The Ghoul King cover art Tor.com Publishing

From the catalog copy:

The Knight, Quinn, is down on his luck, and he travels to the very edge of the civilized world—whatever that means, any more—to restock his small but essential inventory.

After fighting a series of gladiatorial bouts against the dead, he finds himself in the employ of a woman on a quest to find the secret to repairing her semi-functional robot.

But the technological secret it guards may be one truth too many…

 

Nightshades

Written by Melissa F. Olson
Designed by FORT
Cover photo © Getty Images
Available July 19th
Pre-order Now: iBooks | Kindle | Nook

Nightshades Tor.com Publishing cover art

From the catalog copy:

Alex McKenna is the new Special Agent in Charge of the Chicago office of the Bureau of Paranormal Investigations—the division tasked with investigating crimes involving shades.

Or vampires, as they’re more widely known.

Children have been going missing, and agents are routinely being slaughtered. It’s up to McKenna, and some unlikely allies, to get to the bottom of the problem, and find the kids before it’s too late.

 

City of Wolves

Written by Willow Palecek
Illustrated by Cliff Nielsen
Designed by Christine Foltzer
Available July 26th
Pre-order Now: iBooks | Kindle | Nook

City of Wolves Tor.com Publishing cover art

From the catalog copy:

Alexander Drake, Investigator for Hire, doesn’t like working for the Nobility, and doesn’t prefer to take jobs from strange men who accost him in alleyways. A combination of hired muscle and ready silver have a way of changing a man’s mind.

A lord has been killed, his body found covered in bite marks. Even worse, the late lord’s will is missing, and not everyone wants Drake to find it. Solving the case might plunge Drake into deeper danger.

 

Spiderlight

Written by Adrian Tchaikovsky
Illustrated by Tyler Jacobson
Designed by Christine Foltzer
Available August 2nd
Pre-order Now: iBooks | Kindle | Nook

spiderlight_final

From the catalog copy:

The Church of Armes of the Light has battled the forces of Darkness for as long as anyone can remember. The great prophecy has foretold that a band of misfits, led by a high priestess will defeat the Dark Lord Darvezian, armed with their wits, the blessing of the Light and an artifact stolen from the merciless Spider Queen.

Their journey will be long, hard and fraught with danger. Allies will become enemies; enemies will become allies. And the Dark Lord will be waiting, always waiting…

 

Everything Belongs to the Future

Written by Laurie Penny
Designed by FORT
Cover photo © Getty Images
Available August 9th
Pre-order Now: iBooks | Kindle | Nook

Everything-Belongs FINAL

From the catalog copy:

Time is a weapon wielded by the rich, who have excess of it, against the rest, who must trade every breath of it against the promise of another day’s food and shelter. What kind of world have we made, where human beings can live centuries if only they can afford the fix? What kind of creatures have we become? The same as we always were, but keener.

In the ancient heart of Oxford University, the ultra-rich celebrate their vastly extended lifespans. But a few surprises are in store for them. From Nina and Alex, Margo and Fidget, scruffy anarchists sharing living space with an ever-shifting cast of crusty punks and lost kids. And also from the scientist who invented the longevity treatment in the first place.

Brandon Sanderson Answers Your Audible Live-Chat Questions

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Stormlight Archive book 4, where we can expect to see Hoid front and center, and where Coca-Cola comes from… Audible hosted a live chat with author Brandon Sanderson on Thursday, February 4, and we’ve assembled his answers about Mistborn, Stormlight, The Reckoners, and more below!

Jump to:

Mistborn

Did Trell ever have any pre-Ascension Terris worshippers?

Yes.

Did any of Tindwyl’s daughter’s survive the Catacendre?Did Sazed ever meet any of them, after his Ascension?

Yes. And RAFO. :)

Just to be sure. Wax is wrong, and jumped on conclusions about how Excisors work. Right?

He did jump to some conclusions. Whether he’s right or not will have to wait for future books.

Did Elend or Vin ever consider parenthood, or was that never a priority for them?

Not a priority at all, considering their situation. Neither really gave it much thought.

Is there are metal that can grant Feruchemy, a la lerasium/Allomancy?

Another RAFO. (Sorry.)

Is the metal on Scadrial specially invested? Can an Allomancer use metals from other planets?

Metal is a key, not the source of power itself. Most is not specially invested. It glows because of the power seeking to come through it, not because of the power within it.

Was Atium truly one of the 16 metals, or can it be used by anyone just like Lerasium?

Atium has some screwy things going on. It’s not one of the 16, but not just anybody could use it.

If Kelsier had visited Roshar, what spren would have been attracted to his character?

Gloryspren because he pretty much always feels like he’s done something awesome. :)

Will there be a sequal to Mistborn: Secret History?

Yes, I plan a sequence of these.

If someone was tapping gold, would spiking a separate ability out of them kill them? Or would it work at all?

It IS possible to spike someone without killing them. But they’d never be the same. It would be worse than being a drab.

Is it known to most people in Elendel that Ranette has a girlfriend? Or are they hiding?

They don’t need to hide in particular in Elendel.

Elantris

What inspired you to write about immortality in Elantris?

Honestly, it was zombie stories. I wondered what it would actually feel like.

Is “Galladon” Galladon’s true name?

It is his birth name, if that’s what you’re asking.

I had this crazy idea about people need to have an Aon in the name to be chosen by the Shaod and Galladon hasn’t it.

Ah, that’s an excellent guess. But no, that isn’t the case. It’s more about Connection.

Steelheart / The Reckoners

Can you tell us anything about Night’s Sorrow?

Almost nobody has ever seen Night’s Sorrow.

Can you tell us the name of factory from which Tia gets her Cola pouches? And perhaps the city?

Factory is one that doesn’t exist in our world, but I believe I have it in Chattanooga.

Will you ever do any more in the Reckoners world after CALAMITY?

Ask me this again after you’ve read Calamity, and I might have more info I can give.

I know they are not a part of the Cosmere, but does the Reckonersverse follow the rules of Realmatic theory?

No. Instead, it follows quantum multiverse theory.

The Wheel of Time

Why did Mat never meet up with the Band again?

RJ’s notes had them going on separate paths, specifically because he wanted Mat to go to Seanchan. But after events of AMoL, you can assume he dropped in to check on them.

Are there any characters that were particularly difficult for you to work with?

Cadsuane from the WoT was the one that comes to mind.

The Stormlight Archive

Can you give us an Oath that hasn’t been revealed in the story yet?

No. You’ll have to wait for the stories to get those.

Epigraphs in Mistborn & Stormlight: did you wrote them before, during or after writing the rest of the book?

Almost always after the book is done, with notes before certain chapters of what to include above that one.

If a large group of windrunners lashed enough mass towards a single point, could they create a black hole?

Offhand, I think that would be theoretically possible, though in practicality impossible. We’d need Peter Ahlstrom to do some math.

Can you tell us who wrote the words on the back cover of Way of Kings?

Not yet, but it will come out before too much longer.

Who provoked the confrontation, Tanavast or Rayse?

RAFO.

In Stormlight Archives what inspired u to come up with the idea of bridges & how they carry it across chasms?

I wanted a form of siege warfare that was different from anything that readers had seen before, but had the same despair to it.

Which of your characters required the most research beforehand in order to write?

Kaladin took some research into field medicine and depression. He probably took the most.

Are either the blue-skinned Natans or blue-veined Babatharnams human-Aimian hybrids?

Yes.

Who’s the flashback character for Book 4?

I’m planning it to be Eshonai.

The Cosmere

A being with a lot of Investiture worldhops, then dies. What happens to the Investiture that was part of them?

Most likely, it returns to the Spiritual Realm, where all places are one, and where you were is irrelevant.

What are the chances we can see a Wayne / Lift crossover short story? :)

Not terribly good at the moment. :)

Hoid has never drawn his sword on Roshar, which looks similar to Nightblood. Is Hoid’s sword also Awakened?

That is a RAFO, I’m afraid!

Will you ever do a crossover novel with different characters/worlds?

Yes, I will. The final Mistborn books will have this. There’s already some in novellas like Secret History and Sixth of the Dusk.

Have you considered writing a book explaining the Cosmere and world building?

Some day, we will probably do this. But I want more of the different worlds fleshed out first.

Any chance we can get a new Shard named?

No, I’m afraid. I’ve got WAY too much longer to be writing this all to give that away now.

Could a sentient invested object take up a shard?

Highly unlikely, probably impossible–but impossibility is hard to judge.

Will we get a star chart for the whole Cosmere sometime soon?

The Cosmere short fiction collection, which we hope to release in the fall, should have one.

Hoid, Wayne, Kelsier and Wax are playing cards. How many aces are there?

Only Wayne and Hoid are likely to cheat, and they’d be in cahoots.

Is Edgli going to make an appearance (or be mentioned in) another book? I want to know more about Edgli!

Yes, this will be answered eventually.

How well does Khriss know Hoid?

Depends on which book you’re referencing. By the W&W era, they’ve known each other for a long, loooong time.

Could you Awaken an Honorblade?

It would take a Looooooot of power. (A near impossible amount.)

Regarding the Ire: did they set out into the Cosmere pre- or post-Reod?

RAFO! :)

Is there a plan for a book focusing on Hoid or will he always remain an enigma?

The final Mistborn sequence will have him as a main character, as will the Dragonsteel prequel novels.

Did Nazh fall in with Khriss before or after the Forests of Hell were colonized by Patience’s people?

RAFO. (Sorry. I am toying with a book on Threnody, and don’t want to lock myself into anything yet.)

Has one world’s magic systems been used in battles/wars on another worlds? Such as Allomancy used on Roshar?

Not in anything large scale.

Alcatraz

Why isn’t Alcatraz part of the Cosmere? The lenses seem like they could be investiture-related.

I didn’t want Alcatraz to have to follow Cosmere continuity and rules. Yes, the magic could work in the Cosmere.

Brandon-verse

Any updates on movie/tv/video game adaptions?

Nothing big. Steelheart has a script. It’s the only one so far to hit that stage.

Do you always know the ending of the stories when you begin them?

Almost always. I’m a planner. Once in a while, I do a short story where I don’t. Even that is rare, though.

 

Quantum Night

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Experimental psychologist Jim Marchuk has developed a flawless technique for identifying the previously undetected psychopaths lurking everywhere in society. But while being cross-examined about his breakthrough in court, Jim is shocked to discover that he has lost his memories of six months of his life from twenty years previously—a dark time during which he himself committed heinous acts.

Jim is reunited with Kayla Huron, his forgotten girlfriend from his lost period and now a quantum physicist who has made a stunning discovery about the nature of human consciousness. As a rising tide of violence and hate sweeps across the globe, the psychologist and the physicist combine forces in a race against time to see if they can do the impossible—change human nature—before the entire world descends into darkness.

Available March 1st from Ace Books, Robert J. Sawyer’s Quantum Night explores the thin line between good and evil…

 

 

I said it didn’t bother me if people examined my résumé, and that’s true—with one exception. When other academics look at it, they shake their heads when they see I did my undergrad at the same institution I teach at now; that’s always considered fishy. Although I love the University of Toronto’s “Prof or Hobo?” web quiz, which asks you to identify by their photos whether a person is a vagrant or a faculty member, we tenure-track types are supposed to be more like male chimpanzees: once we reach maturity, and have proven ourselves intractably irascible, we’re expected to leave our native community, never to return. Welcome Back, Kotter was a bad-enough scenario for a high-school teacher; it was anathema to those of us in academe.

But my own career had brought me from doing my bachelor’s degree here at the University of Manitoba—my flight had gotten in last night—back to being a tenured professor at the same institution. When asked why, I cite several reasons. “A fondness for bitter cold,” I’d quip, or “An abiding love of mosquitoes.” But the real reason was Menno Warkentin.

When I started at U of M, in 1999, Menno was teaching the same first-year introductory-psych course that I myself taught now. Back then, I was eighteen and Menno was fifty-five. He was now seventy-four and had emeritus status, which meant he was retired but, unlike some of the figurative if not literal bums who were eventually shown the door, was always welcome in his department, and, although drawing only a pension and not a salary, could still do research, supervise grad students, and so on. And, for all those years, he’d been my friend and mentor—I’d lost track of the hours we’d spent in his office or mine, shooting the breeze, talking about our work and our lives.

More than just his age and professorial status had changed since I’d started being his student; he’d also lost his sight. Although he happened to be diabetic, and blindness was a common side effect of that condition, that wasn’t the reason. Rather, he’d been in a car accident in 2001, and while the airbag had kept him from being killed, its impact had shattered his beloved antique glasses, and shards had been thrust into his eyeballs. I’d once or twice seen him without the dark glasses he now wore. His artificial blue eyes were lifelike, but didn’t track. They just stared blankly forward from beneath silver eyebrows.

I found Menno sitting in his office with his headset on, listening to his screen reader. His guide dog, a German shepherd named Pax, was curled contentedly at his feet. Menno’s office had an L-shaped dark-brown shelving-and-counter unit against the back and side walls, but he had everything out of the way, up high or pushed to the back, so he couldn’t accidentally knock things over. And whereas I always had stacks of printouts and file folders on my own office floor, he had nothing that he might trip on. His office had a large window that looked not outside but into the corridor, and the white vertical blinds were closed, I guess on the principle that if he couldn’t see out, no one should be able to see in.

Today, though, in the summer heat, his door was open, and as I entered, Pax stood and poked her muzzle into Menno’s thigh to alert him that someone had arrived. He took off the headset and swung around, my face reflecting back at me from his obsidian-dark lenses. “Hello?”

“Menno, it’s Jim.”

“Padawan!”—his nickname for me since my student days. “How was your trip?”

I took a chair, and Pax settled in again at Menno’s feet. “The D.A. really worked at discrediting me.”

“Well, that’s his job,” Menno said.

“Her job. But yeah.”

“Ah.”

“And she brought up some stuff about my past.”

Menno was sitting on a reddish-brown executive-style chair. He leaned back, his belly like a beach ball. “Oh?”

“Stuff that I myself didn’t recall.”

“Like what?”

“Do you remember 2001?”

“Sure. Saw it in a theater when it first came out.”

“Not the movie,” I said. “The year.”

“Oh.” He made a how-could-I-forget-it gesture at his face. “Yes.”

“Jean Chrétien was prime minister then, right? And George W. Bush was sworn in as president.”

“Umm, yeah. That’s right.”

“And what were the biggest news stories of 2001?”

“Well, 9/11, obviously. Beyond that, off the top of my head, I don’t remember.”

“But you would,” I said.

“What?”

“You would remember others, if you gave it some thought, right?”

“I guess.”

“I don’t,” I said.

“What do you mean?”

“The D.A. surprised me with an article about my grandfather from the Winnipeg Free Press. I went to the DaFoe Library this morning, and they pulled the microfilm of that edition. I started looking at other headlines from that day, but none of them stirred any memories, and neither did the front pages of the Free Press from other days around then. So I went online and looked at the covers of Time and Maclean’s from 2001. I didn’t recognize any of the stories until the summer. Two thousand, no problem. The second half of 2001, yeah, it all came back to me. But the initial six months of 2001 are a blank. The first thing I can pin down from that year is the day after Canada Day. July first fell on a Sunday that year, so people got July second off work. I remembered being pissed that I’d tried to go to the post office on that Monday to pick up a parcel, only to find it closed for the holiday.” I spread my arms. “I’ve lost half a year of my life.”

“You’re sure?”

“As far as I can tell, yes. I mean, I remember being disgusted when the US Supreme Court handed down the decision in Bush v. Gore—but that was in December of 2000. I don’t remember Bush’s actual inauguration, although there had to have been protests, right?”

“I imagine so.”

“And in June of that year, Carroll O’Connor passed away—Archie Bunker himself! You know how much I love All in the Family. I simply couldn’t have missed that bit of news, but somehow I did. Until today, I’d always assumed he was still alive in retirement somewhere.”

“And you just realized you had this gap?”

“Well, it was nineteen years ago, right? How often do we think about stuff from that far back? I do remember 9/11. I remember being right here, on campus, when I heard about the planes hitting the World Trade Center; I’d just started my third year. But other things from that long ago? How often would they come up?”

Menno shifted his bulky form in his chair. “Any idea why you can’t remember those six months?”

“Yes,” I said, but then fell silent. Menno had known me back then, but I’d never told him about this.

“And?” he prompted, reaching down to stroke Pax’s head.

I took a deep breath, then: “I died when I was nineteen. Legally dead. Heart stopped, breathing stopped. The whole nine yards.”

Menno halted in mid-stroke. “Really?”

“Yes.”

“What happened?” he asked, leaning back again.

I pulled my chair closer to his desk. “I’d gone back home to Calgary for the Christmas break. My sister was off in Europe, and my parents were on a cruise—but I wanted to see my friends. I remember New Year’s Eve, of course. Yes, the whole world had celebrated big-time a year before, on December thirty-first, 1999, but you know me: I held out for the real beginning of the twenty-first century, which was January first, 2001, right? Not 2000.”

“Because there was no year zero,” supplied Menno.

“Exactly! Anyway, I’d attended a party at the house of one of my high-school friends, and that night—that is, like 2:00 a.m. on the morning of January first, 2001—when I was heading home, I was attacked by a guy with a knife. It was a cold, clear night. I remember the stars: Orion standing tall, Betelgeuse like a drop of blood, Jupiter and Saturn near the Pleiades.”

“You and the stars,” he said, smiling; I’m secretary of the Winnipeg Centre of the Royal Astronomical Society of Canada.

“Exactly, but it’s relevant, see? I was doing what I always do. Cold night, I’ve forgotten my mitts so my hands are shoved into my jacket pockets, toque pulled down over my ears, and I’m walking along looking up—not ahead of me, but up, finding the ecliptic, looking for planets, hoping to maybe see a meteor streak across the sky. Sure, I’d checked for traffic before crossing the street, but that’s all I did. I wasn’t looking to see what was happening on the other side. Oh, I probably registered that there were a couple of people there, but I wasn’t paying any damn attention to them. And so I crossed diagonally because I was heading in that direction, right? And when I got to the other side, suddenly this guy wheels around, and he’s got this pinched, narrow face and teeth that are sharp and pointy and all askew, and his eyes, man, his eyes are wild. Wide open, whites all around. And he shoves me with one hand, palm against my chest, and he snarls—really, it was a total snarl, his breath coming out in clouds—and says ‘What the fuck do you want?’

“I look over at the other guy, and, Christ, he’s covered in blood. It seems black in the yellow light from the street lamp, but that’s what it’s got to be, blood all over his nylon jacket. That guy’s been stabbed; I’ve walked into a drug deal gone bad. I stammer, ‘I’m just heading to the C-Train.’

“But it’s no good. The guy is crazy or high or both, and he’s got a knife. The other guy takes the opportunity to try to get away: he starts running—staggering, really—onto the street. But he’s badly hurt, and I see now that he’d been standing in a puddle of his own blood, a puddle that’s freezing over.

“But the guy with the knife is looking at me, not him, and he lunges at me. And I’m me, right? I don’t know jack about street fighting. I don’t know how to deflect a blow or anything like that. I feel the knife going in sideways, and I know, I just know, it’s going in between my ribs, just off the centerline of my chest. It doesn’t hurt—not yet—but it’s going deep.

“And then it pierces my heart; I know that’s what’s happening. And he pulls the knife out and I stagger a half-pace backward, away from the road, clutching my chest, feeling the blood pouring out, and it’s hot, it’s like scalding hot compared to the chilled air, but it’s not ebbing and flowing, it’s not pumping. It’s just draining out onto the sidewalk. I fall backward, and I’m looking up at the sky, but it’s too bright here, the streetlamp is washing everything out, and I’m thinking, God damn it, I wanted to see the stars.

“And then—nothing. None of that tunnel bullshit, no bright light except the sodium one from the lamp; none of it. I’m just gone.”

Menno had switched to leaning forward, and about halfway through, he’d steepled his fingers in front of his wide face. They were still there. “And then what?” he said.

“And then I was dead.”

“For how long?”

I shrugged. “No one knows. It can’t have been too long. Man, if the word ‘lucky’ can be applied to that sort of situation, I was lucky. I’d fallen right by that street lamp, so I was in plain view, and it was bitterly cold. A medical student coming home from a different party stumbled upon me, called 911, plugged the hole in my torso, and did chest compressions until the ambulance got there.”

“My God,” said Menno.

“Yeah. But, given the timing, it has to be what’s affecting my memory.”

Silence again, then, at last: “There was doubtless oxygen deprivation. You likely did suffer some brain damage, preventing the formation of long-term memories for a time.”

“You’d think—but there should be more evidence of it. During my missing six months, if I wasn’t laying down new memories, I’d have had enormous difficulty functioning. I was in your class then. Do you remember me behaving strangely?”

“It was a long time ago.”

“Sure, but I also was one of your test subjects in that research project, right?”

He frowned. “Which one?”

“Something about … microphones?”

“Oh, that one. Yeah, I guess you were.”

“You had a cool name for it, um …”

“Project Lucidity.”

“Right! Anyway, I was helping you with that before the knifing, and—well, I don’t know: that’s the whole point. Maybe I was part of your study afterwards, too?”

“I honestly don’t remember,” said Menno.

“Of course. But could you check your files, see if you have stuff about me going that far back? I’m looking for anything that might jog my memory.”

“Sure, I’ll have a look.”

“I must have been laying down long-term memories during my … my ‘dark period.’ I mean, how else could I have functioned?”

“I suppose, yeah.”

“And I did a half-year course in science fiction then, one semester, January to April. It was required that I take an English course, and that seemed less painful than CanLit.”

“Ha.”

“Anyway, I found the reading list from it still online. Apparently, we all read this novel about a biomedical engineer who discovers scientific proof for the existence of the human soul—but I don’t remember ever reading it; I only know that’s what it’s about because I looked up the title on Amazon today.”

“Well, there were more than a few assigned books I never got around to reading during my undergraduate days.”

“Yeah, but I did an essay on this book. I found the WordPerfect file for it still on my hard drive.”

“Could you, y’know, have bought the essay? From one of those services?”

I raised my hand palm out to forestall any more of this. “Sure, sure, you can explain away any one of these examples. But all of them? Six months with no new memories laid down and yet me apparently functioning normally? There’s no way to explain that.”

“All right,” said Menno. “But, you know, Jim, if the barrier to you remembering that period is psychological rather than physical—well …”

“What?”

“If your subconscious is repressing something, maybe you’ll want to just accept that. You’re fine now, after all, aren’t you?”

“I think so.”

“The missing memories aren’t affecting your work or your personal life?”

“Not until that D.A. tore me to shreds.”

“So, just keep in mind that the cure might be worse than the disease.” Pax was still at Menno’s feet but her eyes were now closed. “Sometimes it’s better to let sleeping dogs lie.”

Pax did look at peace. But I shook my head as I rose. “No,” I said. “I can’t do that.”

 *   *   *

As I looked out my living-room window at the Red River, I thought perhaps I’d been unfair back at the Atlanta airport. If Fox News was a thorn in the side of every Democrat unlucky enough to hold public office in the United States, it was perhaps fair to say that the CBC was equally vexatious to any hapless Conservative trying to do his or her job in this country. The irony was that the CBC was a public broadcaster owned and operated, albeit at arm’s length, by the federal government. There is little if anything Barack Obama could have done to deflect attacks from Fox News, but year after year of Conservative government in Ottawa had whittled the CBC down to a fraction of what it had once been, and even after Harper was finally given the heave-ho, tough economic times kept the CBC’s funding from getting fully reinstated.

I had CBC Radio One on. The female announcer intoned: “Although their attempt to blow up the Statue of Liberty was thwarted over the weekend, it’s been revealed that the two would-be bombers, both Libyan nationals, entered the United States from Canada, crossing over from Ontario into Minnesota near Lake of the Woods eleven days ago. This is the second time this year that terrorists from Libya have entered the US via Canada. President Carroway was clearly frustrated at his press briefing this morning.”

The announcer’s voice was replaced by a clip of the president: “I’ve expressed my deep concern over this issue to Prime Minister Justin Trudeau. Perhaps if the killers were flowing in the other direction, he’d take it more seriously.”

As the newsreader was moving on to the next story, my iPhone played the Jeopardy! theme music, meaning a call was being forwarded from my office line, the one published on the university’s website. The screen showed “KD Huron” and a number with a 639 area code, one I didn’t recognize. I turned off the radio and swiped the answer bar. “Hello?”

An odd silence for a moment, then a hesitant female voice: “Hi, Jim. I was in town so I thought I’d look you up.”

“Who is this?”

“Kayla.” A beat. “Kayla Huron.”

The name didn’t mean anything. “Yes?”

Her tone was suddenly frosty. “Sorry. I thought you might be happy to hear from me.”

It’s hard to talk and google on your phone at the same time, but fortunately my laptop was up and running on my living-room desk. I cradled the phone between my cheek and shoulder and typed her name into the computer. “Yes,” I said, “of course I’m glad to hear from you … Kayla. How have you been?”

The first link was to her Wikipedia entry. I clicked it, and the article came up with a photo that was surprisingly good by Wikipedia standards, showing a pretty white woman in her mid thirties.

“Well,” said Kayla, “it’s been a lot of years, Jim. Where to start? I mean, I’m fine, but …”

“Yeah,” I said, still stalling. “A lot of years.” The first line of the entry said she “explores consciousness at the Canadian Light Source”—which sounded like some flaky new-age institution.

“Anyway,” she said, “I’m here for a symposium at UW.” The University of Winnipeg was the other university in town. “And, well, I saw your name in the paper today, and figured, what the heck, I’d see if you might like to have coffee, you know, to catch up …”

I scrolled down the Wikipedia entry: “… earned her MS (2005) and PhD (2010) from the University of Arizona following undergraduate work at the University of Manitoba (1999-2003) …”

“Yes!” I said, much too loudly. We’d been contemporaries here at U of M—including during my lost six months. “Absolutely!”

“Okay. When would be good for you?”

I wanted to say, “Right now!” But instead I simply offered, “My afternoon is open.”

“About one? Suggest a place; I’ve got a rental car.”

I did, we said goodbye, and I put the phone down on my wooden desk, my hand shaking.

I took a deep breath. I had several hours to kill before I needed to head out to meet Kayla, and, well, if my memory loss was indeed associated with the stabbing, then starting by researching that event seemed the logical first step.

There were normally numerous hoops to jump through to access patient medical records—even your own—but fortunately I knew one of the staff psychologists at the hospital I’d been treated at in Calgary; she and I had served together on the board of the Canadian Psychological Association. It was noon in Winnipeg, but that was only 11:00 a.m. in Calgary, so it seemed like a good time to try my call. I tapped my way through the menu tree to get the person I wanted. “Cassandra Cheung,” said the lush voice in my ear.

“Sandy, it’s Jim Marchuk.”

Genuine warmth: “Jim! What can I do for you?”

“I’m hoping you can cut through some red tape. I need a copy of my own medical records.”

“Your own? Yeah, sure, I guess that’s no problem. You were treated here?”

“Yeah. I came in on New Year’s Eve 2000—well, after midnight, so it was actually January first, 2001.”

“That’s a long time ago,” she said, and I could hear her typing away.

“Nineteen years.”

“Hmmm. You sure about that date?”

“Oh, yes.”

“Were you maybe an out-patient? Not all records from that far back are in our central system.”

“No, no. It was emergency surgery.”

“My God, really?”

“Yeah.”

“Were you brought in via ambulance?”

“Yes.”

“I’m not finding anything. Do you remember the name of the surgeon?”

“Butcher,” I said.

“Ha,” replied Sandy. “That’s funny.”

“That’s what I thought!”

“But there’s no Dr. Butcher in the system. Are you sure it was this hospital? Could it have been Foothills instead?”

I wasn’t sure of much at this point. “I … I guess. Um, can you try my last name with a typo? People sometimes put a C in before the K: M-A-R-C-H-U-C-K.”

“Ah! Okay—yup, here it is, but … huh.”

“What?”

“Well, the date wasn’t January first—no one gets to have elective surgery on New Year’s Day: there’s too much likelihood that the operating rooms will be needed for emergencies, and all the surgeons who can be are off skiing.”

“Elective surgery?”

“That’s right. On Monday, February nineteenth, 2001, you had an infiltrating ductal carcinoma removed.”

“A what?”

“It’s a breast cancer.”

“I’m a man.”

“Men can get breast cancer, too. It’s not that common, because you guys have so little breast tissue, but it happens. Says here they cut it out under a local anesthetic.”

“No, no; that’s got to be somebody else—somebody with a similar name. Besides, I was a student at the University of Manitoba then; I wouldn’t have been in Calgary.”

“Well, what do you think you were here for in January?”

“I was attacked with a knife.”

“Jesus, really? What’d you do back then? Tell someone you’d voted Liberal?”

“Something like that.”

“There’s no record of you being treated here for anything of that nature.”

“Are you sure?”

“Uh-huh.”

“Um, okay. Thanks, Sandy.”

“Jim, what’s this—”

“I gotta go. Talk to you later.”

“Okay. Bye.”

“Bye.”

I sagged back into my chair, my breath coming in short, rapid gasps.

Excerpted from Quantum Night © Robert J. Sawyer, 2016

Rey Needs A Different Kind of Force Ghost Mentor….

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Rey fan art spoiler preview

Artist Nate Taylor has come up with the perfect Force ghost tutor for Star Wars: The Force Awakens’ Rey. In fact, once we looked upon it, we were sort of shocked that we hadn’t stumbled across much fan art offering up the same suggestion…

See?

Rey and Han fan art, Nate Taylor, star wars

Obviously this doesn’t technically work within Star Wars canon; you’re supposed to be a very powerful, learned Jedi to be able to project yourself as a ghost after “becoming one with the Force.” But Han would be the best Force ghost. He’d be so grumpy and bored and unimpressed with his new lot. And Rey’s face is too perfect. We’d prefer that more Jedi reflection and meditation ended in giant sparkly grins.

The Real Monster is Stephen Colbert in this Homage to The Twilight Zone

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Stephen Colbert does The Twilight Zone

Some were concerned when Stephen Colbert left basic cable for CBS that he would need to soften his humor. So far, I think he’s avoided giving in to the demands of The Man admirably, and this week he also showed us one of the benefits of working or a corporate overlord: you can totally use all their stuff! Yes, just as NBC’s acquisition of Universal back in 2004 gave us Conan O’Brien’s greatest triumph: “The Walker, Texas Ranger Lever“, so has CBS’ mighty vault coughed forth Colbert’s “Twilight Zone: Just the Twists”.

[via The Late Show with Stephen Colbert!]

 

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